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An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase
Tuesday, January 12th, 2010
An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase
An Impair Plate, late I7th/early 18th Century, centred by a basket of flowers framed by flower and bird panels, 24cm.;
A Kutani Cat, Meiji/Taisho Period, curled up asleep with brocade bow and bells on its collar, ear chip.
A Pair of Impair Vases, Meiji Period,
each tapering body decorated with ho-o flying
in and out of a dense ground of leaves and
flowers under a concave trumpet neck filled
with brocade, 61.8cm.;A finely enamelled Kinkozan
earthenware Figure of a begin, Meiji/Taisho,
the young woman wearing a kimono
meticulously painted with a design of
overlapping flower carriages against a
pale-purple ground, her obi carrying dragon
moon in a simulated gold file woven cloud
ground incorporating the signature, fan broken,
head glued, 43cm.; 17in.A Satsuma Vase, Meiji/Taisho Period, of short ovoid form, enamelled with broad panels of samurai and potentates against and between a brocade ground.
A Pair of Satsuma booted Vases, Meiji/Taisho Period, each blue enamelled ground decorated with samurai seen through flowering prunes’ under a brocaded neck, 31cm.;
A Pair of Satsuma Vases,
Meiji/Taisho Period, each tapering slender
body lavishly gilt with panels of samurai and
female deities between fabric moulded and
enamelled brocade borders, 46cm.; 18in.,Yabu Meizan: A Satsuma hexagonal Jar, Stopper and Cover, Meiji Period, finely enamelled with flower, fan, landscape and procession scenes, glued, 13.8cm.;
A Pair of Satsuma Vases, Meiji, of shouldered squared ovoid form, painted with figure and landscape panels within an under glaze-blue ground embellished in gilding, rubbed
hair-crack in one, 36cm.;
A Satsuma Bowl, Meiji Period, of
cinquefoil outline, the deep-blue ground
reserved on the inside with a smaller cinquefoil
panel scene of begin with children, 21.8cm.;A Kinkozan Satsuma Koro, Cover and
inner Cover, Meiji Period, with bamboo leaf
moulded handles and bamboo borders
training gill spruce against a deep-blue
ground.Yabu Meizan: Seven Satsuma Cups, art Saucers and a Sugar Bowl, Meiji, each enamelled with different flowers or shrubs.
An enamelled Arita Dish, 18th Century, painted in soft under glaze-blue heightened in over glaze enamels with three children jumping about a lady in a garden where an Immortal
appears upon a cloud, framed by eight repeated figure panels radiating between repeated bird panels under a prunes bordered rim, riveted, pseudo Chinese mark, fu gui chang chun
(riches, honour and enduring spring), 31.2cm.;
Yabu Meizan: A Satsuma Koro and Cover, Meiji, the low cylindrical sides painted with boats in a bay under curled-over short strap handles, the shoulder and pierced cover filled
with millefiori, on three bracket feet, handle repair, signed Yabu Meizan, 6.5cm.;
A Pair of Japanese turquoise glazed porcelain Tigers, 19th Century, recumbent with closed and half-open mouth, chips, paw missing, 17.8cm.;
A Satsuma Tea Service, Meiji/Taisho period, painted with quail and other birds amongst flowering plants and shrubs, comprising: Teapot and Cover, Sugar Bowl and Cover, Jug and
Cover, six Cups, Saucers and Plates.
A Fukagawa Imari Vase, Meiji Period, of broad ovoid form, the flower-filled ground reserved with four barbed panels of flower baskets and landscapes, 25.5cm.; signed in
iron-red.
A Fukagawa Imari Bowl, Meiji Period, the fluted interior filled with four garden panels in a deep blue ground centred by a vase of flowers, a continuous flower meander on the
exterior, 27.8cm.; bamboo signature in under glaze-blue.
Kinkozan: A Satsuma Vase, Meiji, of cylindrical form between waited foot and neck, the body finely decorated with three kidney-shaped panels of figures reserved against a blue
ground and separated by moulded bamboo borders, 14.2cm.; 5Vsin., signed on body in gilding, impressed mark, Kinkozan.
An Arita Plate, late I7th/early 18th Century, painted in inky tones of under glaze-blue with flowers on a fence framed by six radiating panels of alternating flowers, 22cm.
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Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
Thursday, December 3rd, 2009
Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
A white on blue Canton pen Box and Cover, 19th Century, of rectangular form, the blue sides reserved with white flower and fruit sprays trailed in slip with incised detail
A Pair of ‘famille-rose’ ovoid Jars and Covers, Guangxu, the lime-green ground painted with ducks amongst rocks and flowers, small hair-crack in cover
A Canton four-tier food Container and Cover, Guangxu, the cylindrical sides enamelled with white lotus meanders against a blue ground, metal handles and carrying 24cm.
A Set of three graduated Canton `famille-verse’ Bowls, Liners and Covers, marks and period of Guangxu, each painted with narcissus and iron-red flower sprays on a body applied with blue masks intended for metal handles.
A blue crackle-glazed bombe Censer, 19th Century, chip to foot rim.
Three Chinese snuff Bottles, one interior painted with scholars riding amongst rocks in a landscape, one of porcelain
moulded as a closed lotus leaf, the third of glass with carved mask-and-ring handles.
A Pair of powder blue ovoid Canisters and Covers, Guangxu.; and a flambe glazed Jar and Cover of onion form
A Chinese blue and white Bowl, mark and period of Daoguang, on three mask and tongue feet, the interior covered in bamboo and prunus sprays on a ‘cracked ice’ ground centreing a landscape medallion
A famille-rose’jardiniere or Fish Bowl, Guangxu, the purple ground reserved with ‘famille-verse’ landscape panels between ruyi and trellis borders, five golden carp
A Pair of Canton Vases, 19th Century, of typical club form, with figure panels under a neck and shoulder applied with gilt Buddhistic lions and dragons.
A Pair of Chinese blue and white Vases, Guangxu, of typical club form, painted with skirmishes between soldiers on horseback between painted lappets and applied dragons on the shoulder and neck, one rim damaged,
A Chinese ‘famille-rose’ Dish, Guangxu, painted with five sages and their two attendants in a garden, a table for scholarly pursuits, repairs
A Chinese ‘famille-rose’Jardiniere, Guangxu, of U-form with everted rim over three enamelled figures separated by titles and literary texts
A clobbered and metal-mounted Chinese Plate, mark and period of Kangxi and later, a central scene of three women on a veranda framed by a trellised rim panelled with bucolic figure scenes, gilt-metal rim and feet,
six character mark
A Set of three ‘grisaille’ landscape Plates, Qianlong, framed by a rim of blue enamel flower sprays between gilt spearhead and lotus scroll borders
A Chinese ‘Mandarin’ palette Mug, Qianlong, the cylindrical body with dragon handle enamelled with a figure panel within an underglaze-blue frame between smaller vignettes
A Chinese exportware Mug, Qianlong, of cylindrical form with stepped flared foot, the deep blue ground gilt with flowers
between ornamental borders
A Chinese blue and white Jar and Cover, Qianlong/jiaging, of broad baluster form, painted with a lakescape under a complex brocade border, hinged collar and clasp to cover and rim, minor hair-cracks, 64cm.; 25in.,
carved wood stand
A Pair of Canton rouleau. Vases, 19th Century, each greenound reserved with circular under shaped filled with garden scenes, damage to both galleried rims,
A four-case gold lacquer Inro, 19th Century, decorated with a rocky shoreline concealing houses; and an ivory Netsuke of Hotei, 18th Century
A staghorn knife Handle, 19th Century, carved as the long figure of Daruma, his face revolving to metamorphose into a female, with metal blade
A wood tobacco Pouch and Cover, late 19th Century, carved as a temple gong; and a pipe Holder, carved with a whisk
Five Netsuke, 18th Century, comprising: an ivory carving of a sennin with a cub on a rock, a rat amongst bales, Hotei and bag, Hotei and boy and a wood Carving of Hotei and boy
Two ivory Netsuke, 18th Century, one of a jackal with skull, the other of a recumbent buffalo
Yoshikyo: A wood Netsuke, late 18th/early Century, well carved as a fruit and bud, finely hollowed, signed
An ivory Netsuke of Hotei, late 18th/early 19th Century, a young boy attending to one ear, stained