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Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
Tuesday, January 12th, 2010
Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim
hairlines, 13cm.;
A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.
A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;
A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.; incised four-character mark.
A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;
A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;
A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;
A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .
An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;
An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;
An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;
A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring
handles, 31cm.;
An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;
A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;
A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;
A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;
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Сhinese Ceramics: ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl
Tuesday, January 12th, 2010
Сhinese Ceramics: ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl
A large ‘family-rose’ Charger, Qianlong, the centre Filled with an almost pyrotechnically multi-coloured peony in a final framed by a whorl ground border
billed with placed flowers, cracks, 42cm.;wood stand.A ‘family-rose’ baluster ‘wawa’ Jar, Guangxu, painted with hundreds of boys performing out-of-doors festivities, drilled, 38cm.; 15m., wood stand .
A blue and white export Plate, Qianlong, painted with a river scene, a boat overshadowed by trees on a shore under a barbed cavetto and complex brocade on the rim, 25.8cm.A Pair of ‘prunes’ ‘ Jars, Guangxu, ea of ovoid form, painted with blossoming whim branches against a blue ground, 25.5cm.; low four character mark of Kanji . with a kylie and
phoenix framed by four auspicious beasts in panels with auspicious flowers in-between, extensive riveting, 36.2cm.; 141/4in., seal mark in under glaze-blue.
A Chinese Imari Bowl, Kanji, well painted with two orange pheasants on rocks a peony garden, two cracks, 26cm.
A powder-blue Vase, Qianlong, of
hexagonal mallet form, with pierced long
handles, traces of gilt landscape and figure
designs, 41cm.; 16in.A ‘Companies-des-Indies’ Tea Caddy and Cover, Qianlong, of arched rectangular form, each side painted with a tied spray of European flowers, chipped cover, 13.2cm.
A gilt-metal mounted ‘Companies-de Indies’ Bowl, Qianlong and 19th Century, painted with figures out-of-doors between upright acanthus, cast gilt-metal handles linking rim and
wasted foot, 28cm.
An aubergine glazed kylie Seal Box and Cover, 19th Century, standing four-square, 6.2cm.
A yellow glazed Ridge-tile Figure, Ming Dynasty, a sitting mythical beast with flame-
A ‘family-rose’ Peach, 19th Century, green with a flush of rose, moulded with a leafy branch, 11cm..
A yellow ground ‘family-rose’ Dish, 19th Century, enamelled with dragon and phoenix amongst clouds, 34cm.; 133in., six-character mark in iron-red of Qianlong, box .
A Pair of export ware Saucers, circa
1800, decorated with Bianca –copra - Bianca sprays
between pencilled borders, 15.5cm.; 6Vsin.; and
a Douay Cup, painted with a formal cloud
design, mark of Yongzheng, wood stand .A blue and white Dish, Kanji,
painted with cut flowers in a medallion centre
rammed by two tiers of lappets containing
further flower heads under a barbed rim,
15.7cm.; 6in., us spray mark.A Chinese armorial Punch Bowl,
Qianlong, twice charged with the full arms of
Baron King between scattered flowers under a
plain turquoise ribbon border incorporating
two racially panels, restored, 35.5cm.; 14in.Possibly the arms of the Fifth Baron King of Ockham, his wife’s arms in pretence.
Canton ‘family-rose’ Bowl, Daoguang, the exterior finely painted with a
continuous scene of figures out-of-doors, the
interior with framed panels of figures, both under mille fiery borders, 36.8cm.; 141/2in.
Another Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous scenes of figures in the grounds about a house under a border of fruit, crack,36.8cm.;
A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous figure scenes under flower and fruit borders, 35cm.;
A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with panelled scenes against a flower-strewn ground, 34cm.;
A Garniture of five Samson armorial ‘Compagnie-des-Indes’ Vases, late 19th Century, three of baluster form with covers, two trumpet beakers, all of hexagonal section, repairs to
covers, 12 and 16cm.;
A ‘family-rose’ Mug, Qianlong, the cylindrical body painted with a circular medallion of a man shooting between beaded’ borders under an incurved rim, applied twin strap
handles, 13cm.;
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Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
Thursday, December 3rd, 2009
Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
A white on blue Canton pen Box and Cover, 19th Century, of rectangular form, the blue sides reserved with white flower and fruit sprays trailed in slip with incised detail
A Pair of ‘famille-rose’ ovoid Jars and Covers, Guangxu, the lime-green ground painted with ducks amongst rocks and flowers, small hair-crack in cover
A Canton four-tier food Container and Cover, Guangxu, the cylindrical sides enamelled with white lotus meanders against a blue ground, metal handles and carrying 24cm.
A Set of three graduated Canton `famille-verse’ Bowls, Liners and Covers, marks and period of Guangxu, each painted with narcissus and iron-red flower sprays on a body applied with blue masks intended for metal handles.
A blue crackle-glazed bombe Censer, 19th Century, chip to foot rim.
Three Chinese snuff Bottles, one interior painted with scholars riding amongst rocks in a landscape, one of porcelain
moulded as a closed lotus leaf, the third of glass with carved mask-and-ring handles.
A Pair of powder blue ovoid Canisters and Covers, Guangxu.; and a flambe glazed Jar and Cover of onion form
A Chinese blue and white Bowl, mark and period of Daoguang, on three mask and tongue feet, the interior covered in bamboo and prunus sprays on a ‘cracked ice’ ground centreing a landscape medallion
A famille-rose’jardiniere or Fish Bowl, Guangxu, the purple ground reserved with ‘famille-verse’ landscape panels between ruyi and trellis borders, five golden carp
A Pair of Canton Vases, 19th Century, of typical club form, with figure panels under a neck and shoulder applied with gilt Buddhistic lions and dragons.
A Pair of Chinese blue and white Vases, Guangxu, of typical club form, painted with skirmishes between soldiers on horseback between painted lappets and applied dragons on the shoulder and neck, one rim damaged,
A Chinese ‘famille-rose’ Dish, Guangxu, painted with five sages and their two attendants in a garden, a table for scholarly pursuits, repairs
A Chinese ‘famille-rose’Jardiniere, Guangxu, of U-form with everted rim over three enamelled figures separated by titles and literary texts
A clobbered and metal-mounted Chinese Plate, mark and period of Kangxi and later, a central scene of three women on a veranda framed by a trellised rim panelled with bucolic figure scenes, gilt-metal rim and feet,
six character mark
A Set of three ‘grisaille’ landscape Plates, Qianlong, framed by a rim of blue enamel flower sprays between gilt spearhead and lotus scroll borders
A Chinese ‘Mandarin’ palette Mug, Qianlong, the cylindrical body with dragon handle enamelled with a figure panel within an underglaze-blue frame between smaller vignettes
A Chinese exportware Mug, Qianlong, of cylindrical form with stepped flared foot, the deep blue ground gilt with flowers
between ornamental borders
A Chinese blue and white Jar and Cover, Qianlong/jiaging, of broad baluster form, painted with a lakescape under a complex brocade border, hinged collar and clasp to cover and rim, minor hair-cracks, 64cm.; 25in.,
carved wood stand
A Pair of Canton rouleau. Vases, 19th Century, each greenound reserved with circular under shaped filled with garden scenes, damage to both galleried rims,
A four-case gold lacquer Inro, 19th Century, decorated with a rocky shoreline concealing houses; and an ivory Netsuke of Hotei, 18th Century
A staghorn knife Handle, 19th Century, carved as the long figure of Daruma, his face revolving to metamorphose into a female, with metal blade
A wood tobacco Pouch and Cover, late 19th Century, carved as a temple gong; and a pipe Holder, carved with a whisk
Five Netsuke, 18th Century, comprising: an ivory carving of a sennin with a cub on a rock, a rat amongst bales, Hotei and bag, Hotei and boy and a wood Carving of Hotei and boy
Two ivory Netsuke, 18th Century, one of a jackal with skull, the other of a recumbent buffalo
Yoshikyo: A wood Netsuke, late 18th/early Century, well carved as a fruit and bud, finely hollowed, signed
An ivory Netsuke of Hotei, late 18th/early 19th Century, a young boy attending to one ear, stained