Antique Pottery

Blog about Old Pottery, Porcelain, Ceramics


  • Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

    Tuesday, January 12th, 2010

    Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

    A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim

    hairlines, 13cm.;

    A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.

    A Pair of enamelled crackleware
    Vases, Guangxu, each of broad true baluster
    form enamelled with scenes of hunting parties
    under applied ‘bronzed’ mask and ring
    handles, minor chips, 48cm.; 18in., Chenghua.

    A blue and white ovoid Jar,Kanji,
    the ‘cracked ice’ ground reserved with three
    quatrefoil panels of Precious Objects, rim
    repair, 21.5cm.; 8in., wood stand and cover.

    A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;

    A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.;  incised four-character mark.

    A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;

    A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;

    A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;

    A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .

    An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;

    An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;

    An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;

    A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring

    handles, 31cm.;

    An Impair Dish, Meiji Period,
    enamelled with a complex brocade of
    overlapping scrolls and fans over hexagon
    fragments filled with garden flowers and
    dragons, 45.5cm.;

    A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;

    A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;

    A Pair of Satsuma Vases, Meiji Period,
    each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;

    A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;

    A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;

  • Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu

    Tuesday, January 12th, 2010

    Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu

    A ‘family -verte’ Jardiniere, Guangx the rounded sides enamelled with a pheasant amongst flowers and rocks, lipped rim, 26cn 10 in.; and a carved wood Stand (2).

    An ivory glazed Bulb Bowl, Ming Dynasty, with bombe sides over three paw few carved with flowers, crack, feet loose, 29cm.; and a cream glazed Vase, 24.3cm.; 9/2in.

    A matched Set of four blue and white small Plates, Kanji, each painted with a ‘Jumping Boy’ pattern framed by a trellis bordered rim, hair-cracks, chip, approx. 10cm.; 4in.,

    three with apocryphal Chengdu marks, one marked tang (made for the hall of precious jade) .

    A ‘family -rose’ bottle Vase, Daogu the low body and cylindrical neck enamelled with richly blossoming branches, 30cm.

    A Pair of ‘family-rose’ Lanterns and Stands, Guangxu/later, each decorated with wa-wa scenes of children celebrating the New Year with processional dragons and fireworks (4)    .

    A Pair of Chinese crackleware balls Vases, Guangxu, with ‘bronzed’ dragon relief under prunes’ handles, 25.3cm.; Win.

    A ‘family-rose’ octagonal Bowl, mark
    and period of Tongzhi, eight figures
    accompanied by auspicious animals arranged
    about the sides, puce interior, chip, minor
    repairs, 18.6cm.; 7 in., seal mark in red.

    A Pair of ‘Mandarin’ palette baluster Vases, Qianlong, each ‘fish roe’ blue ground reserved with enamelled domestic scenes of figures, hair-crack, 17.8cm.; 7in.

    A good ‘rose-verte’ Wine Cup and Saucer, Yongzheng, each piece painted with maidens accompanied by deer in a blossoming garden, small glaze chip, three cracks in saucer; and a

    ‘family-rose’ Rice Bowl and Stand, painted with an iron-red bird amongst flower repair, bears Marryat Collection label; and a ‘Queens’ pattern Saucer .

    A Samson ‘family-rose’ Plate, late 19th
    Century, painted in Chinese style with a lady
    observing foul deeds in a garden framed by a
    complex brocade border, 22.7cm.
    .
    A transitional blue and white Food Jar,
    mid- 17th Century, painted in soft tones of
    under glaze  cobalt blue with two fabulous
    beasts among rocks, one a dragon-headed scaly
    animal, the other of ram-like appearance,
    hung with metal swing handles, 21cm.; 8in.
    diam.

    An Aria blue and white Coffee Urn,
    late 17th Century, of conical form, the
    tapering sides painted with two birds among
    flowers, rocks and fruiting pomegranate,
    square spigot button, 26.5cm.; 10′/2in.

    A Pair of Canton ‘family-rose’ Vases, Guangxu, each of mallet form with applied gilt dragons and dogs-of-For over figure and bird panels, chip, 25.8cm.; Win.

    A Chinese Imari Charger,Kanji, closely following a Japanese original with panels of shish birds and butterfly separated by three under glaze-blue wave-edged panels filled with

    peony and radiating from a flower basket medallion centre, repaired, 46cm.; 18in.

    A Group of export ware, 18th Century,
    comprising: two Teapots, a Canton enamel Bowl, Cover and Stand, a Cup and Saucer, a Worcester ‘Lowestoft’ Teapot and a He rend arrow beak  Jug and Cover, some damage .

    A spinach green jade Bowl and Cover, 18th Century, repaired, 15cm.; 57in., wood ; tend  .
    An attractive Longue celadon Dish, early Ming Dynasty, of characteristic form with fluted interior radiating to a lipped rim, ill covered in a rich bluish-green glaze front made

    back, the biscuit firing ring oxidized to range.

    A Pair of Chinese Stick Stands, of
    cylindrical form, painted with green dragons, drilled, one damaged, 65cm.; 25/2in.

    A Pair of turquoise glazed Dogs-of-For, 20th Century, seated on cube bases, 32cm.; 12/2in.

    A coral-red ground Dish, reserved with a partially unrolled scroll filled with a river landscape, gilt flower sprays scattered round about, 23.3cm.; Win., seal mark of Qianlong

    in under glaze-blue (boxed).

    Chinese export armorial wares, late Qianlong, comprising: a Pair of Fitzhugh border pierced Dishes bearing the arms of Brent, distressed, 25.6cm.; and a Pair of Vegetable

    Tureens bearing the crest Farquason over a festooned shield monogrammed J.F., damaged handles .

  • Сhinese Ceramics: Tea bowl and Stand, Qianlong, Teapots and Covers, Qianlong, Tea wares, Qianlong

    Tuesday, January 12th, 2010

    Сhinese Ceramics:  Tea bowl and Stand, Qianlong,  Teapots and Covers, Qianlong, Tea wares, Qianlong

    A Swatow Dish, 16th Century, of Split Pagoda’ family, enamelled in turquoise and green with five leaping carp between iron-red sprays revolving about a central medallion, chips,
    38.7cm.;
    A black ground Vase, Qing Dynasty, of lively baluster form, decorated in gilding with Buddhistic lions, rim repair, 58.5cm.; 23m.
    A blank-de-Chine Figure of Guanyin, 18th Century, seated with robes falling down to the ground to one side, in her raised right hand a small scroll, chips to fingers, 20.5cm.;
    8in.
    A blank-de-Chine Group of Guan Yin, 18th Century, seated upon a rock between two acolytes, missing vases, 22.8cm.; 9in.
    A large ‘family-rose’ Tea bowl and Stand, Qianlong, each piece painted with six radiating panels of figures alternating with flowers under a gilt vermicular border.
    A Group of export Tea wares, Qianlong, comprising: three ‘family-rose’ Tea bowls, one with Meissen-style panels of European hunters and Chinese riflemen in grisaille and
    rouge-de-far palette, and a Saucer with a central panel of three ladies and a gentleman, 15.8cm.; 6′Ain., some damage or rubbing.
    A Set of four ‘Companies-des-Indies’ Plates, Qianlong/Jialing, each painted with a pavilion ‘floating’ in a lake, 24cm.;
    Two ‘family-rose’ Punch-Bowls,
    Qianlong, one painted with puce scale borders
    over flower sprays, the other with a Chinese
    landscape, restored, 26.5 and 24cm.

    Three ‘family-rose’ Teapots and Covers, Qianlong, one in Mandarin palette, one in Impair colours and one ‘family-rose’, restoration .
    A good celadon Jar, 18th Century, the compressed ovoid body sprigged and carved with a continuous meandering stem bearing four flower heads and fleshy leaves between studded
    borders, all under a glutinous bluish glaze, 24cm.
    A Chinese ‘family-rose’ Bowl, 19th Century, of us flower form, the celadon ground painted with insects and flowers, rubbed; and a ‘family-rose’ Bowl, decorated with dogs-of-For .
    A Southern Chinese stoneware Figure of a man, 19th Century, finely modelled seated on a rock peeping into a double-gourd bottle, 14cm. 51/2in.; and a Southern Chinese stoneware
    Figure of a seated sage, 14cm.
    The companion Saucer Dish, mark and period of Dialoguing, rim repair, 24.8cm. 93 in.
    A turquoise glazed mythical Beast, 19th Century, part lion, part ram and of benevolent intent, seated and looking to its right, 19cm. 77/2m., wood stand .
    A blue and white barrel-form Garden Seat, Gangue, painted with a pair of dragons confronted across pierced pairs of cash between studs and chrysanthemum-filled ruby collars, 48.5cm.
    A blue and white tureen Stand,
    Qianlong, painted with a pair of deer in a
    Peony garden framed by a trellis, under flower
    sprays trailing from the canted and notched
    rim, 38.3cm.; 15m.
    A blue and white Meat Dish,
    Qianlong, painted with a maiden punting a
    boat framed by a hatched cavetto under a
    and scroll brocade border, 44.3cm.; 17in.
    A Group of export Tea wares, Qianlong, comprising: a Set of six Tea bowls and four Tea bowls and Slop Bowl, cracks and repair; also a Spoon Tray, Milk Jug and en suite .
    A Chinese blue and white ‘yen yen’ Vase, Kanji, painted in vivid blue with six auspicious mythical beasts upon spume fleck cracks divided between trumpet neck and baluster body, broken rim, 45.5cm.; 177.
    A Companies-des-Indies Dish, Qianlong, painted in under glaze-blue with three scattered flower and pomegranate spray under a barbed and hatched rim border, 35.3 cm.

  • A Chinese blue and white Dish - A Chinese ‘famille-verte’ Dish, Kangxi - A wood Netsuke - A Chinese blue and white saucer Dish, Kangxi - A Chinese blue and white Jar

    Thursday, December 3rd, 2009

    A Chinese blue and white Dish - A Chinese ‘famille-verte’ Dish, Kangxi - A wood Netsuke - A Chinese blue and white saucer Dish, Kangxi - A Chinese blue and white Jar

    A Set of three provincial Chinese blue and white saucer Dishes, 18th Century, each boldly painted with a dragon amongst clouds, its hind quarters trailing over the underside, crack, repair Compagnie-des-Indes deep Dish, Qianlong, of European silver form, pencilled with European rose sprays under a hatched border bearing flower sprays inside the iron-oxideedged rim
    A Batavianware ‘famille-rose’ Punch Bowl, the cafe-au-laic ground reserved with barbed panels of peony, cracks, 25cm.; 9314in.; and an Imari Bowl, Meiji, the interior painted with ho-o birds ‘famille-rose’ Bowl, mark and period of Yongzheng, the exterior finely enamelled on one side with feathery peony, the other side with a spotted yellow butterfly, two small sprays within, very small chip to rim, six character mark in
    underglaze-blue, wood stand
    A large Chinese baluster punch Jug and Cover, Qianlong, painted in underglazeblue and enamels with figures in a continuous Lakeland scene, scroll spout, repair to rim, replacement metal handle Pair of Chinese
    blanc-de-Chine lion joss-stick Holders, 18th Century, each Buddhistic beast sitting on a cube base, a brocade ball under its left paw, both bases cracked
    A Chinese blue and white Jar, Wanli, of stout shouldered ovoid form, the sides painted in underglaze-blue with a Ion -tailed
    ‘d perched on a rock in a garden of peony, the shoulder panelled with stylised chrysanthemum in a wan-diaper ground
    A ‘Compagnie-des-Indes’ Basket and Stand, Qianlong, with trellis pierced sides framing a river scene within brocade and trellis borders, handles repaired, hair-crack in stand
    A Pair of Chinese Imari Pots and Covers, Kangxi, each of cylindrical form, painted with hibiscus sprays, both cracked
    Three ‘famille-rose’ Teapots, Qianlong and later, enamelled with figures and flowers, one repaired
    A Chinese ‘Mandarin’ palette Punch Bowl, Qianlong, the Y-diaper ground reserved with two figure scenes between panels containing birds in branches, a complex brocade and butterfly border within, hair-cracks,  A
    ‘Compagnie-des-Indes’ blue and white tureen Stand, Qianlong, painted with a willow in a garden before peaks under a cavetto and rim of complex and panelled brocade, chips
    Two `famille-rose’ Plates, Yongzheng/ Qianlong, one painted with a pheasant framed by a panelled pink cavetto and four flower
    Trays on the rim, 22cm.; 8314in., the other with flowers within an octagonal frame with panelled turquoise trellis border, hair-crack
    A Chinese blue and white saucer Dish, Kangxi, a central fan panel framed by four flower and vase groups under a complex border incorporating further fans and scrolls separated by scattered flowers .
    A Chinese blue and white Dish, Kangxi, two tiers of flower lappets radiating to a barbed rim from a lotus medallion centre against a trellis ground, two hair-cracks
    A Chinese blue and white food Jar, Kangxi, the cylindrical sides filled with two broad antique and landscape panels, rim repair wood cover
    A Pair of ‘Compagnie-des-Indes’ Sauceboats, Qianlong, painted in underglazeblue with lake scenes, brown dressed shaped rim, handle crack, other glued,
    A ‘Compagnie-des-Indes’ oval Tureen and Cover, Qianlong, painted with expansive lake scenes under a cover surmounted by a pomegranate finial, handles damaged
    A Chinese blue and white Ewer, Kangxi,painted in near Transitional style with two scholars seated beneath a willow, body and handle crack
    A Chinese ‘famille-verte’ Dish, Kangxi, pencilled in underglaze-blue with two bands of linezhi fungus radiating from and between a medallion centre and trellis borders
    A Chinese exportware Bowl and Spoon, for the Persian market, jiaqing, each piece decorated wit simple gilt interweaving ribbon borders centred by green flowerheads about an Arabic inscription clobbered Chinese Jar,
    Kangxi and later, the barrel body painted with figure medallions in a reeled band later enamelled with dragons on a green ground between iron-red borders incorporating underglazeblue flower sprays, 20cm.; 8in., Manhao of Chenghua, wood cover and stand
    A blanc-de-Chine Ewer, 18th Century, of hexagonal double-gourd form, moulded with recessed panels of auspicious objects against a wave ground; and a blanc-de-Chine Guanyin Group
    A Chinese ‘famille-rose’ cylindrical Tankard, Qianlong, painted in Mandarin palette with a scene of three figures on a terrace
    A `famille-verte’ wine Pot, Kangxi, of rectangular form, with raised roundels filled with plants and antiques, repairs to upright yoke handle,  ; and an Imari clobbered blue and white Teapot and Cover  A
    `Compagnie-des-Indes’ Mug, Qianlong, of barrel form, painted with panels of European roses in puce and purple in scroll frames under scale borders hung with flowers, minor chips to rim interior.
    A similar Mug, Qianlong, with entwined double-strap handle and beaded borders, chip
    A wood Netsuke, 18th Century, simply carved as a lotus leaf, of dark colour


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