Antique Pottery

Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

Tuesday, January 12th, 2010

Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim

hairlines, 13cm.;

A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.

A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.

A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.

A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;

A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.;  incised four-character mark.

A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;

A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;

A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;

A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .

An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;

An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;

An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;

A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring

handles, 31cm.;

An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;

A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;

A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;

A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;

A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;

A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;

Сhinese Ceramics: ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl

Tuesday, January 12th, 2010

Сhinese Ceramics:  ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl

A large ‘family-rose’ Charger, Qianlong, the centre Filled with an almost pyrotechnically multi-coloured peony in a final framed by a whorl ground border
billed with placed flowers, cracks, 42cm.;wood stand.

A ‘family-rose’ baluster ‘wawa’ Jar, Guangxu, painted with hundreds of boys performing out-of-doors festivities, drilled, 38cm.; 15m., wood stand .
A blue and white export Plate, Qianlong, painted with a river scene, a boat overshadowed by trees on a shore under a barbed cavetto and complex brocade on the rim, 25.8cm.

A Pair of ‘prunes’ ‘ Jars, Guangxu, ea of ovoid form, painted with blossoming whim branches against a blue ground, 25.5cm.; low four character mark of Kanji . with a kylie and

phoenix framed by four auspicious beasts in panels with auspicious flowers in-between, extensive riveting, 36.2cm.; 141/4in., seal mark in under glaze-blue.

A Chinese Imari Bowl, Kanji, well painted with two orange pheasants on rocks a peony garden, two cracks, 26cm.

A powder-blue Vase, Qianlong, of
hexagonal mallet form, with pierced long
handles, traces of gilt landscape and figure
designs, 41cm.; 16in.

A ‘Companies-des-Indies’ Tea Caddy and Cover, Qianlong, of arched rectangular form, each side painted with a tied spray of European flowers, chipped cover, 13.2cm.

A gilt-metal mounted ‘Companies-de Indies’ Bowl, Qianlong and 19th Century, painted with figures out-of-doors between upright acanthus, cast gilt-metal handles linking rim and

wasted foot, 28cm.

An aubergine glazed kylie Seal Box and Cover, 19th Century, standing four-square, 6.2cm.

A yellow glazed Ridge-tile Figure, Ming Dynasty, a sitting mythical beast with flame-

A ‘family-rose’ Peach, 19th Century, green with a flush of rose, moulded with a leafy branch, 11cm..

A yellow ground ‘family-rose’ Dish, 19th Century, enamelled with dragon and phoenix amongst clouds, 34cm.; 133in., six-character mark in iron-red of Qianlong, box .

A Pair of export ware Saucers, circa
1800, decorated with Bianca –copra - Bianca sprays
between pencilled borders, 15.5cm.; 6Vsin.; and
a Douay Cup, painted with a formal cloud
design, mark of Yongzheng, wood stand .

A blue and white Dish, Kanji,
painted with cut flowers in a medallion centre
rammed by two tiers of lappets containing
further flower heads under a barbed rim,
15.7cm.; 6in., us spray mark.

A Chinese armorial Punch Bowl,
Qianlong, twice charged with the full arms of
Baron King between scattered flowers under a
plain turquoise ribbon border incorporating
two racially panels, restored, 35.5cm.; 14in.

Possibly the arms of the Fifth Baron King of Ockham, his wife’s arms in pretence.

Canton ‘family-rose’ Bowl, Daoguang, the exterior finely painted with a
continuous scene of figures out-of-doors, the
interior with framed panels of figures, both under mille fiery borders, 36.8cm.; 141/2in.
Another Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous scenes of figures in the grounds about a house under a border of fruit, crack,

36.8cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous figure scenes under flower and fruit borders, 35cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with panelled scenes against a flower-strewn ground, 34cm.;

A Garniture of five Samson armorial ‘Compagnie-des-Indes’ Vases, late 19th Century, three of baluster form with covers, two trumpet beakers, all of hexagonal section, repairs to

covers, 12 and 16cm.;

A ‘family-rose’ Mug, Qianlong, the cylindrical body painted with a circular medallion of a man shooting between beaded’ borders under an incurved rim, applied twin strap

handles, 13cm.;

Сhinese Ceramics: Canton ‘hundred antiques’ Jardiniere, 19th Century, A carved celadon Dish, Ming Dynasty, white Bowl, Qing Dynasty, Plate, Kanji

Tuesday, January 12th, 2010

Сhinese Ceramics: Canton ‘hundred antiques’ Jardiniere, 19th Century, A carved celadon Dish, Ming Dynasty, white Bowl, Qing Dynasty, Plate, Kanji

A sang de beef Vase, 18th Century,
of bronze hub form, a pair of applied dog-of-For masks biting rings upon a shoulder horizontally zoned by a pair of moulded lines, the characteristically streaky glaze draining

from the rim, bevelled foot, 32.7cm.

A Canton ‘hundred antiques’
Jardiniere, 19th Century, of flared square
form, on bracket feet, the celadon sides
attractively enamelled with auspicious vessels
and arrangements of plants amongst scattered
medallions between key-fret and foliate
borders, crack, 27.8cm.

A celadon bottle Vase, Qing Dynasty, mark of Qianlong, the stout spheroid body slip-trailed with archaistic fang scroll medallions centred by a lengthy fungus, all filled in

cobalt blue, the wasted neck similarly decorated with bats between fang moulded pierced handles, 37.5cm.; 143In, six character seal mark in under glaze-blue    .

A carved celadon Dish, Ming Dynasty, and a tripod Censer, the first carved with a central flower, the second supported on the backs of three boys, 16 and 10cm., one boxed, one

on wood stand (4).

A ‘devils work’ white Bowl, Qing Dynasty, mark of Qianlong, finely pierced with dragons amongst clouds over combed Anhui’ waves, the main design filled with a wash of glaze,

13.6cm.; 53in., seal mark in under glaze-blue, boxed.

An nhui’ eggshell porcelain Bowl, Qing Dynasty, finely incised with dragons amongst flames, 12.7cm.; 5in., archaic mark, (a myriad ages without ending), boxed.

A Chinese export armorial Soup Plate, Qianlong, octagonal, charged on the rim with the crest and arms

A Group of Export ware, 18th Century:
two blue and white Plates, a ‘family-rose’ Plate,
two Tea bowls and a Saucer .

A Samson armorial Bowl, late 19th
Century, charged with a variant of the arms of
Hamilton within under glaze-blue bands and scattered flower sprays, 30cm.; 12in., marked.
An export ware bell-shaped Mug, Qianlong, painted in ‘family-rose’ enamels with four ladies and two boys about a table under a gilt border, 13cm.

A ‘family-rose’ Teapot and Cover, Qianlong, enamelled with a family in a garden, serpent moulded spout, small crack, 16cm.; 6in. (2).

A ‘family-rose’ sparrow beak Jug, Qianlong, enamelled with maidens and boys in a garden, 8.5cm.; 33in.; and a Saucer .

A Pair of ‘family-rose’ miniature
trumpet beaker Vases, Qianlong, each wasted
body enamelled with a blue and yellow bird
upon a flowering shrub, 8.2cm.

An early Ming celadon Figure of Guan Yin, 14th/15th Century A.D., seated with a small vase in one hand, the other hand resting on her knee, her biscuit face washed in lustrous

iron oxide, the glaze of clear sea green colour with an overall crackle, 17cm.

A ‘family-verte’ Plate, Kanji,
enamelled with a rider and attendant dwarfed by a scholar’s table by a fence and palace, scholar’s implements on the rim, crack, 22cm.; 83in., ding mark in under glaze-blue   .

Two ‘family-rose’ Figures, Jiaqing,
one of Ganging with a diminutive child,
20.5cm.; 8Vsin.; the other of a have spirit,
chipped, 17.8cm.; 7in.

A blanch -de-Chine Figure of Butyl, 18l Century, the jovial god seated with a rope of beads on his knee, finely incised facial festoon 8.5cm.; 33in., impressed potter’s square

seal mark huang haul stand (2)    .

A transitional blue and white ’sleeve’ Vase, 2nd quarter 17th Century, well painted with a kingfisher perched above water fowl, two landing on a us pond, crack and chip,

26.5cm..

An attractive blue and white small Dish, early 17th Century, of saucer form, simply painted with a bird on the branch of peach tree, 10.3cm.; 4in.
A carved celadon Jar let, early Ming Dynasty, of stout ovoid form, carved with meandering us beneath a pale sea green glaze, 10.8cm.; 4/4in.

A sang-de-beef ‘dome of heaven’
Vase, 18th Century, of bottle form, with a
dark greyish-maroon glaze draining from the
rim, chipped foot rim, 31cm.

A Chinese ‘family-rose’ double Vase, Guangxu, painted with Immortals on a shore inspecting a scroll and smaller landscapes, reserved in a flower-strewn green ground under a pair

of masked and loose rii handles, rim chip, 37.2cm.; seal mark Qianlong in iron-red.