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Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
Tuesday, January 12th, 2010
Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim
hairlines, 13cm.;
A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.
A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;
A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.; incised four-character mark.
A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;
A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;
A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;
A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .
An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;
An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;
An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;
A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring
handles, 31cm.;
An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;
A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;
A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;
A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;
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A Pair of Canton Vases and Covers - A large Canton ‘famille-rose’ Vase - A Samson Punch Bowl - A Chinese celadon Vase, Qing Dynasty
Thursday, December 3rd, 2009
A Pair of Canton Vases and Covers - A large Canton ‘famille-rose’ Vase - A Samson Punch Bowl - A Chinese celadon Vase, Qing Dynasty
A Samson `Compagnie-des-Indes’ Ewer and Basin, late 19th Century, based on a Portuguese silver and a Chinese exportporcelain original, the ribbed ewer and shell-form basin enamelled with Oriental flowers, ewer
and basin repaired
A Pair of Canton Vases and Covers, mid-19th Century, each ovoid body intricately enamelled with figure panels under a waisted neck scattered with flower baskets and Precious Objects, lotus flower finials; A Chinese ‘famille-rose’ Vase, Guangxu, painted with a scene of figures in a garden between an octagonal foot and a galleried rim, six character mark of Kangxi
A Chinese ‘famille-verte’ ovoid Jar, Guangxu, painted with a scene of children playing games in a garden supervised by maidens, mark of Kangxi in underglaze-blue
A Canton ‘famille-rose’ Basin,
Jiaqing/Daoguang, a central female portrait Mon framed by the Eight Immortals and Shoulao, repaired., wood frame
A provincial Chinese porcelain Bowl, perhaps Swatow, painted with an underglaze- blue lion medallion framed by red and green formal lotus scrolls, birds alternating with flowers on the exterior
A Canton celadon ground bottle Vase, Daoguang, painted with kylin and Buddhistic lions amongst Precious Objects and scattered flowers, neck repaired
A large `famille-rose’ Vase, 2nd half 19th Century, of bottle form, the blue enamel ground filled with colourful formal lotus and reserved with barbed panels of figures in landscapes under a show medallioned shoulderencompassed by a band of bats amongst colourful clouds, beneath a waisted neck applied with iron-red mask and ring handles under an overhanging rim with petalled edge, crack in base, minor rubbing, red script
mark of Qianlong, on white enamel square wood stand
A’famille-verte’ baluster Vase, mid-19th Century, the exaggerated body enamelled with full-length figures of the Eight Immortals carrying their respective attributes between fine borders of ‘cracked ice’ whorls, flames, ruyi and stiff leaf lappets, small chip to foot
A large Canton ‘famille-rose’ Vase, Daoguang/Yongzhi, the celadon ground painted with expansive figure panels under gilt Buddhistic lions and dragons under a turn-over rim with petalled edge .
Set of three Chinese blue and white exportware Teabowls and six Saucers, Jigging; and seven other Chinese Teabowls and nine Saucers
A Pair of Chinese `famille-rose’ octagonal Cups and Saucers, Qianlong; and a `famille-rose’ Saucer, YongzhenglQianlong
Eight Chinese `famille-rose’ Teabowls and ten Saucers, Qianlong/Jiaqing, various designs
A Chinese ‘famille-rose’ Teabowl and two Saucers, Qianlong; and nine Japanese Teabowls/Wine Cups and a Saucer
A Chinese ’sang-de-boeuf’ Vase, 19th Century, of stout true baluster form, covered in a dark ox-blood glaze, rim repair
A Canton ‘famille-rose’ Bowl and Cover, Jiaqing/Daoguang, painted with a continuous scene of figures with rickshaws, gilt lychee finial, handles broken, edge chipped
A Canton ‘famille-rose’ leaf moulded Service, mid-19th Century, of lotus and artemisia leaf form, veined in gilding and enamelled with scattered flowers and insects on a celadon ground, comprising: seven Dishes (in
three sizes), four Bowls (in two sizes), four small Trays and another Dish, chips and repairs
A Canton Vase, 19th Century, T of tall mallet form, painted in enamels an with deer grazing under pine trees inhabited by monkeys against a green washed ground
A Pair of ‘Canton’ Vases, 20th Century, of mallet form, with green Buddhistic lion handles over painted scenes of the Eight Immortals
A Chinese flambe Dish, 18thtearly 19th Century, of shallow form with inturned rim, the ox-blood glaze splashed and streaked in mottled blue
A Samson `armorial’ Punch Bowl, late 19th/20th Century, painted in ‘Coqagnie- des-Indes’ style, 25cm.; 9314in.; and three Chinese teaware Bowls
A Chinese `famille-rose’ Bowl, Qianlong, the ‘chicken-skin’ ground reserved with panels of flowers and shells, a puce scale border within, cracked
A Canton `famille-rose’ Chamber-Pot, 19th Century, panelled with bird and figure groups, 27.5cm.; 103/4in.; and a Canton `famille-rose’ Basin, repaired
A good Canton oval Dish, Jigging/ Daoguang, finely painted with three dignitaries seated at separate tables in a columned loggia, servants in attendance, all within a border of green flushed white flowers in a pale-blue ground
A Chinese celadon Vase, Qing Dynasty, of pleated bi-conical form, base repair
A Chinese Bowl, Qing Dynasty, painted inside and out with five deer amongst rocks, the crags pierced by translucent rice grain openings, chip, mark of Qianlong
A later enamelled late Ming Meipin mark and period of Wanli, enamelled `famille-verte’ palette with phoenix flying between elongated lappet and ruyi borders, replacement silver mouth and silver plug-in base, six
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Fukagawa Imari Vases - A Pair of Japanese Imari Dishes - A Pair of Arita Vases - A Satsuma Bowl
Thursday, December 3rd, 2009
Fukagawa Imari Vases - A Pair of Japanese Imari Dishes - A Pair of Arita Vases - A Satsuma Bowl
A Pair of Fukagawa Imari Vases, Meiji, each pear-form body well painted with alternating ho-o and flower basket medallions upon a flower-strewn ground between a formal lotus meander and a mouth of fish medallions in an iron-red border filled with clouds, 34cm.; 1331,in., red signatures (2)
A Hirado Jar and Cover, Meiji, of stout barrel form, the sides painted in underglaze-blue with three ho-o between cut flower branches
A ‘Kakiemon’ ovoid Jar, Meiji, finely painted in underglaze-blue and overglaze enamels with a bird on a rock under a chrysanthemum, signed; and an octofoil Imari Plate
A Fukagawa Imari Jar and Cover, Meiji, of ovoid form, well painted and gilt with barbed panels of flowers against a ground of peony, cover cracked
An Imari jar and Cover, 19th Century, of reeded ovoid form, vertically panelled with four garden scenes between brocade striped ribs under a knop in the form of a shi-shi with a ball in its paws Pair of Arita Vases,
Meiji, each slender ovoid body painted in underglaze colours with birds flying amongst plants, one distressed
A Pair of Imari Dishes, Meiji, radially panelled with six compartments centred by a fan or character pane against brocade about a medallion centre
A Hirado kirin Censer, Meiji, seated on its haunches with flame licked flanks, restored
A Kutam lacquer cased supper Set, Meiji eight Trays whorled in a circle about a circular tray centre, eachainted with bijin within a brocade frame, the box painted with birds amongst flowers An Arita Vase, 20th Century, the ovoid body painted in underglaze-blue with finely shaded bamboo, small enamelled birds flying through the leaves, Fuji mark
A Hichosan Shimpo Imari Dish, possibly Meiji, a ‘Three Friends of Winter’ medallion centre framed by three panels of fan pairs alternating with gilt shi-shi
A Japanese porcelain Vase, 20th form, of ovoid orm, painted in flushed underglaze and iron-red enamel with peony
An Imari Dish, Meiji, painted with overlapping brocades framed by a shaped and notched rim and an Imari ovoid Vase
A Pair of Kutani cylindrical Vases, Meiji, enamelled predominantly in orangey-red heightened in gilding with two flower reserves between fan panels and a lappet encircled foot
A Pair of Japanese Imari Dishes, Meiji, each centred by a flower medallion framed by six radiating panels alternately containing fan reserves in a brocade ground and lappet reserves centred with archaic seals in a dark cobalt ground
An Imari Bowl, 19th Century, the steep sides enamelled inside and out with broad chrysanthemum scrolls under a panelled trellis rim
A blue and white Arita Dish, Meiji, painted with a bird flying amongst peony
An Arita blue and white Ewer, late 17th Century, the pear-form body panelled with flowers reserved in a lotus scroll ground under a narrow neck tapering to a galleried mouth with pinched spout, handle repaired, A Pair of Satsuma Vases, Meiji of hexagonal ovoid form, each filled with a throng of arhats under a pair of dragon handles
A Satsuma Bowl, Meiji with barbed hexafoil rim, the rounded sides enamelled and outside with boys forming a procession, the interior with a dragon greeting three figures on a shore
A Pair of Arita Vases, Meiji, each slender oviform body painted in underglazeblue and enamels with flowers, one distressed
An Arita blue and white ovoid Jar and Cover, Meiji, filled with a flowering garden, a bird flying through the branches of a tree
A large Imari Dish, Me-, a central flower basket panel framed by four radiating panels of birds in pomegranate between panels
broken brocade
A smaller Imari Dish, Meiji, of kiku outline, painted with a flower basket centred by panels of birds and ribbed brocade
An Imari part dessert Service, Meiji, comprising: six notched square Fukagawa Plates, each painted with a vase of flowers within a panelled blue border and an oval Dish
A Pair of Imari Cups and Saucers, early 18th Century, painted in typical palette with flowers over a fence under an undulating blue ground border filled with flowerheads, crack
A Ming Tileworks green glazed Ridge Tile, modelled with a winged pony seated on its haunches
A Pair of Chinese ‘powder blue’ bottle Vases, 19th Century, each with low discoidal body under a cylindrical neck and on spreading foot
A Sang-de-boeuf bottle Vase, 18th, early 19th Century, of club form, covered in a speckled glaze draining to the bevelled foot and a blue and white Guglet
A blue and white Dish, Kangxi period (1662-1721), hair-crack