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Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
Tuesday, January 12th, 2010
Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period
A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim
hairlines, 13cm.;
A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.
A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;
A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.; incised four-character mark.
A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;
A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;
A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;
A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .
An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;
An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;
An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;
A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring
handles, 31cm.;
An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;
A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;
A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;
A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;
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Сhinese Ceramics: ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl
Tuesday, January 12th, 2010
Сhinese Ceramics: ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl
A large ‘family-rose’ Charger, Qianlong, the centre Filled with an almost pyrotechnically multi-coloured peony in a final framed by a whorl ground border
billed with placed flowers, cracks, 42cm.;wood stand.A ‘family-rose’ baluster ‘wawa’ Jar, Guangxu, painted with hundreds of boys performing out-of-doors festivities, drilled, 38cm.; 15m., wood stand .
A blue and white export Plate, Qianlong, painted with a river scene, a boat overshadowed by trees on a shore under a barbed cavetto and complex brocade on the rim, 25.8cm.A Pair of ‘prunes’ ‘ Jars, Guangxu, ea of ovoid form, painted with blossoming whim branches against a blue ground, 25.5cm.; low four character mark of Kanji . with a kylie and
phoenix framed by four auspicious beasts in panels with auspicious flowers in-between, extensive riveting, 36.2cm.; 141/4in., seal mark in under glaze-blue.
A Chinese Imari Bowl, Kanji, well painted with two orange pheasants on rocks a peony garden, two cracks, 26cm.
A powder-blue Vase, Qianlong, of
hexagonal mallet form, with pierced long
handles, traces of gilt landscape and figure
designs, 41cm.; 16in.A ‘Companies-des-Indies’ Tea Caddy and Cover, Qianlong, of arched rectangular form, each side painted with a tied spray of European flowers, chipped cover, 13.2cm.
A gilt-metal mounted ‘Companies-de Indies’ Bowl, Qianlong and 19th Century, painted with figures out-of-doors between upright acanthus, cast gilt-metal handles linking rim and
wasted foot, 28cm.
An aubergine glazed kylie Seal Box and Cover, 19th Century, standing four-square, 6.2cm.
A yellow glazed Ridge-tile Figure, Ming Dynasty, a sitting mythical beast with flame-
A ‘family-rose’ Peach, 19th Century, green with a flush of rose, moulded with a leafy branch, 11cm..
A yellow ground ‘family-rose’ Dish, 19th Century, enamelled with dragon and phoenix amongst clouds, 34cm.; 133in., six-character mark in iron-red of Qianlong, box .
A Pair of export ware Saucers, circa
1800, decorated with Bianca –copra - Bianca sprays
between pencilled borders, 15.5cm.; 6Vsin.; and
a Douay Cup, painted with a formal cloud
design, mark of Yongzheng, wood stand .A blue and white Dish, Kanji,
painted with cut flowers in a medallion centre
rammed by two tiers of lappets containing
further flower heads under a barbed rim,
15.7cm.; 6in., us spray mark.A Chinese armorial Punch Bowl,
Qianlong, twice charged with the full arms of
Baron King between scattered flowers under a
plain turquoise ribbon border incorporating
two racially panels, restored, 35.5cm.; 14in.Possibly the arms of the Fifth Baron King of Ockham, his wife’s arms in pretence.
Canton ‘family-rose’ Bowl, Daoguang, the exterior finely painted with a
continuous scene of figures out-of-doors, the
interior with framed panels of figures, both under mille fiery borders, 36.8cm.; 141/2in.
Another Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous scenes of figures in the grounds about a house under a border of fruit, crack,36.8cm.;
A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous figure scenes under flower and fruit borders, 35cm.;
A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with panelled scenes against a flower-strewn ground, 34cm.;
A Garniture of five Samson armorial ‘Compagnie-des-Indes’ Vases, late 19th Century, three of baluster form with covers, two trumpet beakers, all of hexagonal section, repairs to
covers, 12 and 16cm.;
A ‘family-rose’ Mug, Qianlong, the cylindrical body painted with a circular medallion of a man shooting between beaded’ borders under an incurved rim, applied twin strap
handles, 13cm.;
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Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu
Tuesday, January 12th, 2010
Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu
A ‘family -verte’ Jardiniere, Guangx the rounded sides enamelled with a pheasant amongst flowers and rocks, lipped rim, 26cn 10 in.; and a carved wood Stand (2).
An ivory glazed Bulb Bowl, Ming Dynasty, with bombe sides over three paw few carved with flowers, crack, feet loose, 29cm.; and a cream glazed Vase, 24.3cm.; 9/2in.
A matched Set of four blue and white small Plates, Kanji, each painted with a ‘Jumping Boy’ pattern framed by a trellis bordered rim, hair-cracks, chip, approx. 10cm.; 4in.,
three with apocryphal Chengdu marks, one marked tang (made for the hall of precious jade) .
A ‘family -rose’ bottle Vase, Daogu the low body and cylindrical neck enamelled with richly blossoming branches, 30cm.
A Pair of ‘family-rose’ Lanterns and Stands, Guangxu/later, each decorated with wa-wa scenes of children celebrating the New Year with processional dragons and fireworks (4) .
A Pair of Chinese crackleware balls Vases, Guangxu, with ‘bronzed’ dragon relief under prunes’ handles, 25.3cm.; Win.
A ‘family-rose’ octagonal Bowl, mark
and period of Tongzhi, eight figures
accompanied by auspicious animals arranged
about the sides, puce interior, chip, minor
repairs, 18.6cm.; 7 in., seal mark in red.A Pair of ‘Mandarin’ palette baluster Vases, Qianlong, each ‘fish roe’ blue ground reserved with enamelled domestic scenes of figures, hair-crack, 17.8cm.; 7in.
A good ‘rose-verte’ Wine Cup and Saucer, Yongzheng, each piece painted with maidens accompanied by deer in a blossoming garden, small glaze chip, three cracks in saucer; and a
‘family-rose’ Rice Bowl and Stand, painted with an iron-red bird amongst flower repair, bears Marryat Collection label; and a ‘Queens’ pattern Saucer .
A Samson ‘family-rose’ Plate, late 19th
Century, painted in Chinese style with a lady
observing foul deeds in a garden framed by a
complex brocade border, 22.7cm.
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A transitional blue and white Food Jar,
mid- 17th Century, painted in soft tones of
under glaze cobalt blue with two fabulous
beasts among rocks, one a dragon-headed scaly
animal, the other of ram-like appearance,
hung with metal swing handles, 21cm.; 8in.
diam.An Aria blue and white Coffee Urn,
late 17th Century, of conical form, the
tapering sides painted with two birds among
flowers, rocks and fruiting pomegranate,
square spigot button, 26.5cm.; 10′/2in.A Pair of Canton ‘family-rose’ Vases, Guangxu, each of mallet form with applied gilt dragons and dogs-of-For over figure and bird panels, chip, 25.8cm.; Win.
A Chinese Imari Charger,Kanji, closely following a Japanese original with panels of shish birds and butterfly separated by three under glaze-blue wave-edged panels filled with
peony and radiating from a flower basket medallion centre, repaired, 46cm.; 18in.
A Group of export ware, 18th Century,
comprising: two Teapots, a Canton enamel Bowl, Cover and Stand, a Cup and Saucer, a Worcester ‘Lowestoft’ Teapot and a He rend arrow beak Jug and Cover, some damage .A spinach green jade Bowl and Cover, 18th Century, repaired, 15cm.; 57in., wood ; tend .
An attractive Longue celadon Dish, early Ming Dynasty, of characteristic form with fluted interior radiating to a lipped rim, ill covered in a rich bluish-green glaze front madeback, the biscuit firing ring oxidized to range.
A Pair of Chinese Stick Stands, of
cylindrical form, painted with green dragons, drilled, one damaged, 65cm.; 25/2in.A Pair of turquoise glazed Dogs-of-For, 20th Century, seated on cube bases, 32cm.; 12/2in.
A coral-red ground Dish, reserved with a partially unrolled scroll filled with a river landscape, gilt flower sprays scattered round about, 23.3cm.; Win., seal mark of Qianlong
in under glaze-blue (boxed).
Chinese export armorial wares, late Qianlong, comprising: a Pair of Fitzhugh border pierced Dishes bearing the arms of Brent, distressed, 25.6cm.; and a Pair of Vegetable
Tureens bearing the crest Farquason over a festooned shield monogrammed J.F., damaged handles .
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A Pair of Canton Vases and Covers - A large Canton ‘famille-rose’ Vase - A Samson Punch Bowl - A Chinese celadon Vase, Qing Dynasty
Thursday, December 3rd, 2009
A Pair of Canton Vases and Covers - A large Canton ‘famille-rose’ Vase - A Samson Punch Bowl - A Chinese celadon Vase, Qing Dynasty
A Samson `Compagnie-des-Indes’ Ewer and Basin, late 19th Century, based on a Portuguese silver and a Chinese exportporcelain original, the ribbed ewer and shell-form basin enamelled with Oriental flowers, ewer
and basin repaired
A Pair of Canton Vases and Covers, mid-19th Century, each ovoid body intricately enamelled with figure panels under a waisted neck scattered with flower baskets and Precious Objects, lotus flower finials; A Chinese ‘famille-rose’ Vase, Guangxu, painted with a scene of figures in a garden between an octagonal foot and a galleried rim, six character mark of Kangxi
A Chinese ‘famille-verte’ ovoid Jar, Guangxu, painted with a scene of children playing games in a garden supervised by maidens, mark of Kangxi in underglaze-blue
A Canton ‘famille-rose’ Basin,
Jiaqing/Daoguang, a central female portrait Mon framed by the Eight Immortals and Shoulao, repaired., wood frame
A provincial Chinese porcelain Bowl, perhaps Swatow, painted with an underglaze- blue lion medallion framed by red and green formal lotus scrolls, birds alternating with flowers on the exterior
A Canton celadon ground bottle Vase, Daoguang, painted with kylin and Buddhistic lions amongst Precious Objects and scattered flowers, neck repaired
A large `famille-rose’ Vase, 2nd half 19th Century, of bottle form, the blue enamel ground filled with colourful formal lotus and reserved with barbed panels of figures in landscapes under a show medallioned shoulderencompassed by a band of bats amongst colourful clouds, beneath a waisted neck applied with iron-red mask and ring handles under an overhanging rim with petalled edge, crack in base, minor rubbing, red script
mark of Qianlong, on white enamel square wood stand
A’famille-verte’ baluster Vase, mid-19th Century, the exaggerated body enamelled with full-length figures of the Eight Immortals carrying their respective attributes between fine borders of ‘cracked ice’ whorls, flames, ruyi and stiff leaf lappets, small chip to foot
A large Canton ‘famille-rose’ Vase, Daoguang/Yongzhi, the celadon ground painted with expansive figure panels under gilt Buddhistic lions and dragons under a turn-over rim with petalled edge .
Set of three Chinese blue and white exportware Teabowls and six Saucers, Jigging; and seven other Chinese Teabowls and nine Saucers
A Pair of Chinese `famille-rose’ octagonal Cups and Saucers, Qianlong; and a `famille-rose’ Saucer, YongzhenglQianlong
Eight Chinese `famille-rose’ Teabowls and ten Saucers, Qianlong/Jiaqing, various designs
A Chinese ‘famille-rose’ Teabowl and two Saucers, Qianlong; and nine Japanese Teabowls/Wine Cups and a Saucer
A Chinese ’sang-de-boeuf’ Vase, 19th Century, of stout true baluster form, covered in a dark ox-blood glaze, rim repair
A Canton ‘famille-rose’ Bowl and Cover, Jiaqing/Daoguang, painted with a continuous scene of figures with rickshaws, gilt lychee finial, handles broken, edge chipped
A Canton ‘famille-rose’ leaf moulded Service, mid-19th Century, of lotus and artemisia leaf form, veined in gilding and enamelled with scattered flowers and insects on a celadon ground, comprising: seven Dishes (in
three sizes), four Bowls (in two sizes), four small Trays and another Dish, chips and repairs
A Canton Vase, 19th Century, T of tall mallet form, painted in enamels an with deer grazing under pine trees inhabited by monkeys against a green washed ground
A Pair of ‘Canton’ Vases, 20th Century, of mallet form, with green Buddhistic lion handles over painted scenes of the Eight Immortals
A Chinese flambe Dish, 18thtearly 19th Century, of shallow form with inturned rim, the ox-blood glaze splashed and streaked in mottled blue
A Samson `armorial’ Punch Bowl, late 19th/20th Century, painted in ‘Coqagnie- des-Indes’ style, 25cm.; 9314in.; and three Chinese teaware Bowls
A Chinese `famille-rose’ Bowl, Qianlong, the ‘chicken-skin’ ground reserved with panels of flowers and shells, a puce scale border within, cracked
A Canton `famille-rose’ Chamber-Pot, 19th Century, panelled with bird and figure groups, 27.5cm.; 103/4in.; and a Canton `famille-rose’ Basin, repaired
A good Canton oval Dish, Jigging/ Daoguang, finely painted with three dignitaries seated at separate tables in a columned loggia, servants in attendance, all within a border of green flushed white flowers in a pale-blue ground
A Chinese celadon Vase, Qing Dynasty, of pleated bi-conical form, base repair
A Chinese Bowl, Qing Dynasty, painted inside and out with five deer amongst rocks, the crags pierced by translucent rice grain openings, chip, mark of Qianlong
A later enamelled late Ming Meipin mark and period of Wanli, enamelled `famille-verte’ palette with phoenix flying between elongated lappet and ruyi borders, replacement silver mouth and silver plug-in base, six
character mark incised on shoulder -
Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
Thursday, December 3rd, 2009
Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke
A white on blue Canton pen Box and Cover, 19th Century, of rectangular form, the blue sides reserved with white flower and fruit sprays trailed in slip with incised detail
A Pair of ‘famille-rose’ ovoid Jars and Covers, Guangxu, the lime-green ground painted with ducks amongst rocks and flowers, small hair-crack in cover
A Canton four-tier food Container and Cover, Guangxu, the cylindrical sides enamelled with white lotus meanders against a blue ground, metal handles and carrying 24cm.
A Set of three graduated Canton `famille-verse’ Bowls, Liners and Covers, marks and period of Guangxu, each painted with narcissus and iron-red flower sprays on a body applied with blue masks intended for metal handles.
A blue crackle-glazed bombe Censer, 19th Century, chip to foot rim.
Three Chinese snuff Bottles, one interior painted with scholars riding amongst rocks in a landscape, one of porcelain
moulded as a closed lotus leaf, the third of glass with carved mask-and-ring handles.
A Pair of powder blue ovoid Canisters and Covers, Guangxu.; and a flambe glazed Jar and Cover of onion form
A Chinese blue and white Bowl, mark and period of Daoguang, on three mask and tongue feet, the interior covered in bamboo and prunus sprays on a ‘cracked ice’ ground centreing a landscape medallion
A famille-rose’jardiniere or Fish Bowl, Guangxu, the purple ground reserved with ‘famille-verse’ landscape panels between ruyi and trellis borders, five golden carp
A Pair of Canton Vases, 19th Century, of typical club form, with figure panels under a neck and shoulder applied with gilt Buddhistic lions and dragons.
A Pair of Chinese blue and white Vases, Guangxu, of typical club form, painted with skirmishes between soldiers on horseback between painted lappets and applied dragons on the shoulder and neck, one rim damaged,
A Chinese ‘famille-rose’ Dish, Guangxu, painted with five sages and their two attendants in a garden, a table for scholarly pursuits, repairs
A Chinese ‘famille-rose’Jardiniere, Guangxu, of U-form with everted rim over three enamelled figures separated by titles and literary texts
A clobbered and metal-mounted Chinese Plate, mark and period of Kangxi and later, a central scene of three women on a veranda framed by a trellised rim panelled with bucolic figure scenes, gilt-metal rim and feet,
six character mark
A Set of three ‘grisaille’ landscape Plates, Qianlong, framed by a rim of blue enamel flower sprays between gilt spearhead and lotus scroll borders
A Chinese ‘Mandarin’ palette Mug, Qianlong, the cylindrical body with dragon handle enamelled with a figure panel within an underglaze-blue frame between smaller vignettes
A Chinese exportware Mug, Qianlong, of cylindrical form with stepped flared foot, the deep blue ground gilt with flowers
between ornamental borders
A Chinese blue and white Jar and Cover, Qianlong/jiaging, of broad baluster form, painted with a lakescape under a complex brocade border, hinged collar and clasp to cover and rim, minor hair-cracks, 64cm.; 25in.,
carved wood stand
A Pair of Canton rouleau. Vases, 19th Century, each greenound reserved with circular under shaped filled with garden scenes, damage to both galleried rims,
A four-case gold lacquer Inro, 19th Century, decorated with a rocky shoreline concealing houses; and an ivory Netsuke of Hotei, 18th Century
A staghorn knife Handle, 19th Century, carved as the long figure of Daruma, his face revolving to metamorphose into a female, with metal blade
A wood tobacco Pouch and Cover, late 19th Century, carved as a temple gong; and a pipe Holder, carved with a whisk
Five Netsuke, 18th Century, comprising: an ivory carving of a sennin with a cub on a rock, a rat amongst bales, Hotei and bag, Hotei and boy and a wood Carving of Hotei and boy
Two ivory Netsuke, 18th Century, one of a jackal with skull, the other of a recumbent buffalo
Yoshikyo: A wood Netsuke, late 18th/early Century, well carved as a fruit and bud, finely hollowed, signed
An ivory Netsuke of Hotei, late 18th/early 19th Century, a young boy attending to one ear, stained -
A Japanese lacquer Box and Cover - A Pair of Japanese bronze Vases - A Chinese grisaille landscape Panel, Guangxu - A Chinese bronze Group, Qing Dynasty
Thursday, December 3rd, 2009
A Japanese lacquer Box and Cover - A Pair of Japanese bronze Vases - A Chinese grisaille landscape Panel, Guangxu - A Chinese bronze Group, Qing Dynasty
A Japanese bronze Censer, Meiji, in the form of-a standing elephant, on its back a two-tier pagoda.
A Chinese bronze tripod Censer and Cover, 17th Century, on lion mask and paw feet, the bombe sides cast with shrews amongst grape vine between lappets and arched long handles, a third dragon with pearl in claw
encompassing the domed cover, pierced with the meandering curls of its tail.
A ‘Japanese bronze trumpet beaker Vase, Meiji, of octagonal section, cast and applied with a bird standing under bamboo, bottom loose.
A Japanese Vase, Meiji, of ,teardrop’ form, with cinquefoil mouth, the body moulded with a pair of swimming carp.
A Eagle, Meiji, perched with wings spread upon a rock washed by waves.
A Japanese cloisonne spherical Koro and Cover, Meiji, on three short feet, the red ground decorated with a dragon beneath ho-o in a blue border, damage.
A Group of Japanese and Chinese cloisonne wares, Meiji, comprising: a polyhedral Koro and Cover, three circular Boxes and Covers, two rectangular Boxes with hinged Covers, a cylindrical Box and Cover, a Beaker and a Goblet and Cover
A Pair of Japanese bronze Vases, Meji each club-form body cast with flowers under openwork handles on the archaically banded, knopped and galleried trumpet neck.
A Japanese bronze pricket candlestick Figure of a crane, 19th Century, head and neck curved back with a lotus stem in its beak, standing on the back of a bearded turtle (minogame).
A small Group of Cloisonne, various dates, comprising: a Chinese small footed Censer and Cover, Qing Dynasty, a Box and Cover and a cigarette Case.
Three iron Tsuba, 18th/19th Century, two pierced with dragons and pearls, the third relief cast with the same.
A Chinese bronze Group, Qing Dynasty, cast as a young boy hugging a recumbent dog.
A Japanese silvered bronze Group, 19th Century, sennin seated amongst rocks with a tiger by his side.
A bamboo libation Cup, Qing Dynasty, of rhinoceros horn form, the sides deeply carved with gnarled pine branches bearing broad clusters of leaves against the gnarled wood of the main trunk, , re’ ood of a rich nut
brown tone with polished highlights;
A Set of three Japanese shibayama bezeek gaming Counters, Meiji, the ivory flip tabs inlaid with birds and insects, one inlay missing, 9.2cm.;
A Canton export lacquer games Box and five inner Boxes and Covers, late 18th/early 19th Century, of plain rectangular form, each initialled B in gilding, chipped; and a Collection of mother-of-pearl fish Counters
A Group of nine Chinese hardwood Stands.
A Chinese soapstone Carving of a Deity, 19th Century, seated to one side and holding a vase, the clothes finely detailed with incised ornament.
A Chinese soapstone censer Figure of Liuhai, 19th Century, seated in partly jewelled’ clothes, a three-legged frog in his lap, his mouth pierced for release of fumes; and a small soapstone Carving
Two Chinese rose quartz Carvings of a hare and a bird; three hardstone Fruits; two jade Dishes; a cornelian Carving of a boy with a kylin; and two amethyst Carvings
A lacquer Box and Cover, 18th Century, of shallow rectangular form, the brown ground applied with a deer in relief running out of deep grass painted in gold lacquer, cracks, repair to cover.Japanese lacquered Box and
Cover, Edo, of rectangular form, the sides and cover decorated with figures in houses seen between parted cloud borders, cover glued;
A Chinese jade libation Cup, of octagonal form with two arched dragons grasping the rim to form handles, chip.
A scholar’s huang huali writing Tray, Guangxu, of square outline with reeded sides, one fitted with a pair of counter levered sliding drawers.
A silver wire inlaid wood Brushpot, Bidong, Guangxu, of feintly waisted cylinder form, inlaid with three rows of three archaistic characters and with wheel of auspicious characters, minor inlay damage and blister, Eight
Chinese/Korean brass furniture Padlocks and Keys, circa 1900, various sizes (8) 1674 A Group of Chinese Writing Wares, various dates, comprising: aeen glazed twin fish water Dropper, shell-shaped water Coupe, a
Yixing brush Washer, a seal Box and Cover, a carved ‘clair de lune’ Bottle and a small bronze Spoon
A Chinese grisaille landscape Panel, Guangxu, painted with figures fishing about a rocky shore, detailed in rouge-de-fer, wood frame.
Chinese School, 19th Century: a handscroll landscape, paper and silk.
S. Ema. ‘Plum Rain’, early 20th Century, gouache on fine sand paper, framed, signature and painted seal mark, Kyoto
A Chinese silk embroidered informal Jacket, early 20th Century, of deep purple colour with broad black ruyi borders incorporating ‘cut-out’ flower sprays backed in colourful foliage, the broad sleeves embroidered with bird panels in a gold file ground between green and pink stripes;
A Japanese lacquer Box and Cover, 18th Century, with two drawers and an internal press, the black sides gilt with flowers on a bank, the cover with a peacock and hen perched on a crag beside a torrent, minor chips to
edges.
An ivory Netsuke of a woman and bull, 19th Century, the woman taken aback by the phallic form of a scarf accidentally caught in the beast’s horns -
An ivory Netsuke - A mutton-fat jade Carving of a Buddhistic lion - A Japanese ivory Figure of a samurai - A Group of Japanese ivory Figures and Carvings - A Qajar lacquered Bowl
Thursday, December 3rd, 2009
An ivory Netsuke - A mutton-fat jade Carving of a Buddhistic lion - A Japanese ivory Figure of a samurai - A Group of Japanese ivory Figures and Carvings - A Qajar lacquered Bowl
A mutton-fat jade Carving of a Buddhistic lion and cub, both biting the brocade ribbon attached to a ball, wood stand, cased
An Indian painted wood Carving of an ele unit, circa 1900, with driver seated on its back, possibly lacking howdah.
A Chinese carved wood Group of a boy on buffalo, Guangxu; and two Carvings of seated Buddhas
An am hors ware Group of an Arab riding a camel, early 20th Century, modelled in Royal Dux style and decorated in typical `shot’ enamels, restored, impressed mark Amphora Austria’
A Set of four Chinese leaf Paintings, 19th Century, each finely painted with a conclave of Buddhistic monks, Iohan and deities, mounted, framed and glazed.
A Qajar lacquered Bowl, 19th Century, of hemispherical form, decorated inside and out with a formal floral design.
Six Canton export watercolour Paintings on rice paper, 19th Century, each depicting a Chinese man-o’-war or river boat, framed and glazed, various sizes
A Pair of Chinese export watercolour Paintings on rice paper, 19th Century, each framed with a courtesan and two attendants,
ramed and glazed
A Japanese overmantel Mirror, circa 1900, of rectangular outline, the upper half mounted with a painted frieze of three bin,
A part lacquered and marquetry inlaid Kodanso, Meiji, with incised chequer ground simulating basketweave, the sliding front inlaid with a fair and man motifs, the case and three drawers hung with gilt-bronze handles,
one side detached; a small Cabinet; and a Headrest
Eight Japanese ivory on lacquer Panels, Meiji, comprising: three Pairs, one decorated with a sage and his acolyte, the others with figures or flowers, various sizes
A Chinese soapstone Figure of Guan Jiaqing Daoguang, standing on a pierced gnarled rock, her robes caught in a breeze, a small vase in one hand, finely incised features.
A Japanese wood theatre Mask, 19th Century, carved as a frowning ng villain with furrowed features, all covered in red, 26cm.
A Japanese ivory Figure of a samurai, 19th Century, a small dog attracting his attention with a document.
A Chinese reverse glass Paintin 19th Century, depicting a family, distressed, gilt, frame.
Ando: A Japanese cloisonne Vase, Meiji, decorated with a boat approaching a shore with mountains behind and a Pair of smaller turquoise ground ovoid Vases, decorated with chrysanthemum Chinese School: A Group
of Paintings on silk, comprising: a Study of ducks, egrets beneath lotus flowers, and a Study of flowers under plantain leaves, all framed and glazed, various sizes
An ivory okimono Group, Meiji, three travellers, one on horseback signed; a stag antler Netsuke of a sennin, 18th Century, in his hands a large gourd and a plantain leaf, and a stag antler Netsuke of Fururokuyu, 19th
Century, in contorted pose, head tilted to one side.
A Group of Japanese ivory Figures and Carvings, Meiji: a man and woman eating, a man with a bowl, an oni with a bowl, a man in a shell, a duck and a man crouching.
A Japanese eight-fold Screen, mounted in a single Trame, painted with cranes by a shore.
A Group of Japanese sword Fittings, 19th Century, comprising: iron Tsuba cast and inlaid with figures and gardens, matching Fuchi and nine Menuki and similar Fittings.
A Japanese cloisonn6 Bowl, circa 1880, of flared form, the underside enamelled with ducks on a pond over applied bamboo feet.
A Canton export ivory cribbage Board, 19th Century, with arched end, the pierced telling panels framing figure panels recessed in a foliate ground.
A cloisonne Vase, Meiji, of ovoid form, the black ground finely decorated with yellow flowerheads and buds, 15.7cm.
Two Chinese cloisonne Bowls, Guangxu, one of low discoidal form, the other of punch bowl form, both decorated with yellow dragons in a black ground.
A Collection of Chinese cloisonne, circa 1900, comprising: a Pair of Candlesticks, 23.5cm.; 91/4in., a Pair of pear-form Vases, dented, a Box, a circular Box, a small Dish, a match Case, three Bowls, a Vase and a wood
Stand
A Pair of Japanese bronze censer Vases, Meiji, each with everted pan tops over reliefs of chrysanthemums, socketed into a similarly encrusted base, damage to foot.
A Pair of Japanese bronze bottle Vases, 19th Century, in Chinese 17th Century style, each cast with a dragon rising to the onion mouthed neck.
A Japanese bronze gong Figure, Meiji, hand thrust into the air to support a gong with inscribed rim, a scarf billowing about the bare-chested figure, on socketed stand, gong perhaps added.Japanese lacquered
Cabinet-on Stand, Meiji of traditional form, a pair of cupboard doors under upturned ends enclosing inner compartments and drawers over a galleried base, inlaid ivory detail, minor damage;
A Chinese archaistic bronze Vessel, Jue, Qing Dynasty, of typical ShanglZhou form with horn-shaped mouth, mask and tongue handle over the taotie moulded body upon tapering triangular blade feet, traces of gilt inlay, foot repair.
An ivory Netsuke, 19th Century, a shi-shi hatching out of a ball, apparently stuck, unsigned