Antique Pottery

Blog about Old Pottery, Porcelain, Ceramics


  • An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase

    Tuesday, January 12th, 2010

    An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase

    An Impair Plate, late I7th/early 18th Century, centred by a basket of flowers framed by flower and bird panels, 24cm.;

    A Kutani Cat, Meiji/Taisho Period, curled up asleep with brocade bow and bells on its collar, ear chip.

    A Pair of Impair Vases, Meiji Period,
    each tapering body decorated with ho-o flying
    in and out of a dense ground of leaves and
    flowers under a concave trumpet neck filled
    with brocade, 61.8cm.;

    A finely enamelled Kinkozan
    earthenware Figure of a begin, Meiji/Taisho,
    the young woman wearing a kimono
    meticulously painted with a design of
    overlapping flower carriages against a
    pale-purple ground, her obi carrying dragon
    moon in a simulated gold file woven cloud
    ground incorporating the signature, fan broken,
    head glued, 43cm.; 17in.

    A Satsuma Vase, Meiji/Taisho Period, of short ovoid form, enamelled with broad panels of samurai and potentates against and between a brocade ground.

    A Pair of Satsuma booted Vases, Meiji/Taisho Period, each blue enamelled ground decorated with samurai seen through flowering prunes’  under a brocaded neck, 31cm.;

    A Pair of Satsuma Vases,
    Meiji/Taisho Period, each tapering slender
    body lavishly gilt with panels of samurai and
    female deities between fabric moulded and
    enamelled brocade borders, 46cm.; 18in.,

    Yabu Meizan: A Satsuma hexagonal Jar, Stopper and Cover, Meiji Period, finely enamelled with flower, fan, landscape and procession scenes, glued, 13.8cm.;

    A Pair of Satsuma Vases, Meiji, of shouldered squared ovoid form, painted with figure and landscape panels within an under glaze-blue ground embellished in gilding, rubbed

    hair-crack in one, 36cm.;

    A Satsuma Bowl, Meiji Period, of
    cinquefoil outline, the deep-blue ground
    reserved on the inside with a smaller cinquefoil
    panel scene of begin with children, 21.8cm.;

    A Kinkozan Satsuma Koro, Cover and
    inner Cover, Meiji Period, with bamboo leaf
    moulded handles and bamboo borders
    training gill spruce against a deep-blue
    ground.

    Yabu Meizan: Seven Satsuma Cups, art Saucers and a Sugar Bowl, Meiji, each enamelled with different flowers or shrubs.

    An enamelled Arita Dish, 18th Century, painted in soft under glaze-blue heightened in over glaze enamels with three children jumping about a lady in a garden where an Immortal

    appears upon a cloud, framed by eight repeated figure panels radiating between repeated bird panels under a prunes  bordered rim, riveted, pseudo Chinese mark, fu gui chang chun

    (riches, honour and enduring spring), 31.2cm.;

    Yabu Meizan: A Satsuma Koro and Cover, Meiji, the low cylindrical sides painted with boats in a bay under curled-over short strap handles, the shoulder and pierced cover filled

    with millefiori, on three bracket feet, handle repair, signed Yabu Meizan, 6.5cm.;

    A Pair of Japanese turquoise glazed porcelain Tigers, 19th Century, recumbent with closed and half-open mouth, chips, paw missing, 17.8cm.;

    A Satsuma Tea Service, Meiji/Taisho period, painted with quail and other birds amongst flowering plants and shrubs, comprising: Teapot and Cover, Sugar Bowl and Cover, Jug and

    Cover, six Cups, Saucers and Plates.

    A Fukagawa Imari Vase, Meiji Period, of broad ovoid form, the flower-filled ground reserved with four barbed panels of flower baskets and landscapes, 25.5cm.;  signed in

    iron-red.

    A Fukagawa Imari Bowl, Meiji Period, the fluted interior filled with four garden panels in a deep blue ground centred by a vase of flowers, a continuous flower meander on the

    exterior, 27.8cm.; bamboo signature in under glaze-blue.

    Kinkozan: A Satsuma Vase, Meiji, of cylindrical form between waited foot and neck, the body finely decorated with three kidney-shaped panels of figures reserved against a blue

    ground and separated by moulded bamboo borders, 14.2cm.; 5Vsin., signed on body in gilding, impressed mark, Kinkozan.

    An Arita Plate, late I7th/early 18th Century, painted in inky tones of under glaze-blue with flowers on a fence framed by six radiating panels of alternating flowers, 22cm.


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