A wiccan Jar, Transitional
Ming/Qing Dynasty, painted with two
maidens conversing in the garden filled
with wa-wa, boys playing pranks and
dressing up as a dog, neck repair,
enamel flaking, 23 cm.; 9in.

A Pair of transitional beaker
Vases, 2nd quarter 17th Century,
painted in mica technique with on the trumpet mouth, maidens and woman, on the bulb flower sprays, on the flared foot branches of pomegranate and peach, one neck repaired, 41cm.; 16in.

A ‘family-verse’ Vase, Kanji,
of tapering square section, each long
facet entirely filled with an episode from
a romance, the short trumpet neck with a
ring of ‘jumping boys’, crack and rim chips,
54cm.;

A ‘family-verse’ Ewer, Kanji,
of European metal form, the helmet-shaped spout moulded with the mask of a potentate over meandering peony between seeded hoops above a band of lappet gadroons on a knapped spreading circular foot, replacement metal handle, crack, 2 7cm.;

A similar Jug en suite, metal
replacement handle, 25.3cm.; Win.

A Pair of ‘family-verge’ oval Basins, Kanji, each of ribbed form, painted inside and out with pairs of birds in flowering shrubs, an oval peony medallion within, hairline crack, 23cm.; 9in.

A polychrome baluster Vase; and ajar and Cover, 17th Century, one
painted with phoenix and peony, neck reduction, 14cm.; the jar painted with Buddhist lions and peony, matched cover, 12cm.;

A powder blue ground
‘family-verge’ saucer Dish ,Kanji,
reserved with fan and circular panels
filled with birds and landscapes about a
square panel containing flowers, hairline
crack, 27.7cm.; and a cafe au laity
Bowl, chip.

A ‘family-verge’ export ware pouring Vessel, Kanji, of pear form, filled with Crustacean carried on green waves, spout chipped, lacking cover, 13.5cm.; a ‘family-verve’ Beaker, repaired; and a ribbed Teapot and Cover, spout repaired.

A ‘family-verge’ Tea or Wine Pot and Cover, Kanji, of straight-sided quatrefoil outline and with a simulated overhead bamboo handle, each facet filled with flowering shrubs or aquatic plants, cover and handle restoration, 18cm.; 7in.

A ‘family-verge’ saucer Dish ,Kanji, with us moulded sides washed in a pale-cafe au laity glaze enamelled with a broad garden scene containing two blue birds framed by two radiating tiers of repeated flowers and sprays, 29.4cm.;

A ‘family-verge’ Dish ,Kanji,
painted with a circle of eight-pointed lappets containing flowers about a flower medallion centre, restored, 35cm.;

A ‘family-verge’ Dish, Kanji,
of deep saucer form, filled by a broad
panel of four figures on horseback under
a panel of brocade on the rim, restored,
33.4cm.;

A ‘family-verge’ Dish ,Kanji,
painted with a broad basket of flowers within a narrow brocade border on the rim, restored, 37.8cm.;

A ‘family-verge’ Dish, Kanji,
painted with an attractive scene of a man in a goat-drawn rickshaw by the walls of a palace from the ramparts of which a crowd of maidens shower him with flower petals, restored, 35cm.;

A ‘family-verge’ Dish, Kanji,
painted with lovers meeting in a moonlit garden with rickshaw and groom attendants, a maidservant holding a ewer, the rim carrying six flower panels in brocaded border, rim repair, 38cm.; 15in.,

A ‘family-verge’ Wall Vase,
Kanji, of squared true baluster form,
painted between rye and cash trellis
borders with a rabbit under a table
carrying Precious Vessels, books and
us between side panels of prunes’ ,
16.5cm.;

A sansei Figure of Guanidine,
Kanji, seated with one hand resting on
her knee wearing a bead necklace, green
head-dress, white robe and three-colour
gown beneath, minor chips, 19.6cm.;

Three ‘family-verge’ Plates,
Kanji, one filled with three birds
amongst prunes’ , two fighting, the
reverted narrow rim filled with phoenix in
a ’seeded’ green ground, hair-crack,
24cm.; one filled with butterflies
over flowers, crack, the other with a
basket of flowers beside books.

A Pair of ‘family-verge’ canister
Vases, Kanji, both of slender ovoid
form, each divided by four vertical panels
alternately filled with blossoming prunes’
and peony with aubergine line borders,
22.7 and 23.7cm.; wood
covers; and a matching beaker Vase,
22.5cm.;

A ‘family-verge’ Guglet ,Kanji, the pear-form body quartered by panels of Precious Vessels alternating with flowers under brocade borders on shoulder, bulb and mouth, hair-cracks, 23.9cm.;

A ‘family-verge’ Bowl, Kanji,
painted with four under glaze-blue peony
medallions in between archaic vessels, all
supported on a continuous formal us
stem framework beneath seeded borders,
us pond scene within, cracked, 29.5cm.;

A Pair of ‘family-verge’ Plates, Kanji, each centre filled with ducks and other fowl on a us pond framed by a border of iron-red lappets under a sea filled rim with the Eight Immortals carried on waves, minor chips, 22cm.;

A ducal saucer Dish, mark and period of Yongzheng, of small size, the exterior painted with five double flower medallions placed between pairs of symmetric us scrolls, the interior centred by four further us scrolls framing a single red petal led double chrysanthemum medallion, chip and hair-crack, 11.5cm.;

A Pair of ‘family-verge’ beaker
Vases, GU, 19th Century, each painted
with titled figures and texts between
brocaded borders, minor chips, 25.3cm.;
Win., marks of Xuande in iron-red.

A Pair of ‘family-verge’ ovoid
Jars and Covers, PROBABLY SAMSON, late
19th Century, each enamelled with
red-centred flower sprays over a foot
encircled by rye panels, us sprays
suspended from the shoulder between a
rye collar incorporating animal panels,
cover restoration, one cover chipped, 23 cm.;

A Pair of attractive green
ground ‘family-verge’ Vases, Guangxu,
of tapering square section, each facet filled with a panel of flowering chrysanthemum, birds wading among us, prunes’  and rocks and peony growing from ornamental rocks, all under a short trumpet neck with further peony and pierced rocks, chip to rim, 50.7cm.; 20in., Artemisia mark in under glaze-blue, wood stands.

A Pair of ‘family-verge’
Jardinieres, Guangxu, each attractively
enamelled with panels of birds in
branches between smaller fan and
circular panels containing landscapes,
kylies and fish against a seeded green
ground filled with butterflies amongst
flowers under a panelled complex
brocade rim, 45.5cm.;

‘FAMILY-ROSE, MANDARIN PALETTE AND OTHER ENAMELLED WARES

A Pair of ‘family-rose’
octagonal Dishes, Qianlong, of large
size, each painted with an arrangement
of flowers, vessels and ornamental blue
rock within a bracket edged rose trellis
border under eight framed panels of
flowers, crack, 39.3cm.;

A large ‘family-rose’ Dish,
Qianlong, painted with multi-coloured
chrysanthemum blooms and rose bamboo
within a rose ground rim filled with
flower and tendrils and with four
repeated fish panels, rim restoration,
23cm.;

A ‘family-rose’ Dish, Qianlong,
attractively painted with a flowering
prunes’  and pink peony framed by a
whorl ground rim panelled with flower
sprays between broad open flower heads,
35.3cm.;

A ‘family-rose’ oval Tureen,
Cover and Stand, Qianlong, with
iron-red hare’s head handles and
pomegranate finial, enamelled with a
repeated motif of a butterfly hovering
over peony, Artemisia and
chrysanthemum within and under cell
diaper bands filled with meandering
flowers, stand repaired, turquoise enamels
rubbed on tureen and stand, stand 38cm.;

A ‘family-rose’ export ware
Barber’s Bowl, Qianlong, of oval outline,
the well and sectioned rim enamelled
with fine wisps of flowers, 31.2cm.;

A ‘family-rose’ export ware
Tureen, Cover and Stand, Qianlong, of
barbed oval section, with double loop
handles and panache knops, painted in
coloured enamels with peonies, foliage
and other flowers growing from a rocky
base from behind a fence, with scattered
insects, fruits and flowers, knops repaired,
chips and repair to stand, approx. 47.5cm.;

A Pair of impressive Mandarin
palette hexagonal Vases and Covers,
Qianlong, the grisaille and rouge-de-fer
brocade ground reserved on each facet
with a long landscape cartouche filled in
the foreground with domestic scenes,
families relaxing about a shore, all
between iron-red landscape panels and
bird vignettes, repeated on the cover
under a seated dog-of-For, repair to rim of
one vase, hair-crack on one vase, small repair
to one cover, lion glued on other .

A Pair of Mandarin palette
hexagonal Vases and Covers, Qianlong,
each turquoise ‘chicken-skin’ ground
painted with attractive scenes of figures
relaxing on the banks of rivers within
elongated panels between moulded and
gilt flower heads under smaller
rouge-de-far landscape vignettes,
repeated on a cover beneath a dog-of-For
finial, one cover repaired, hairline crack to
the other, crack and chip to one vase,
41.3cm.;

An export ware baluster Vase, Qianlong, applied with four grape-vine borders heightened in blue enamel, fitted as a lamp, 25.8cm.;

A Group of export ware Porcelain, Qianlong, comprising: a Chinese Impair Bowl, decorated with peonies, 22.8cm.; 9in., a circular Dish, painted with dwellings and trees by a river, 28.5cm.; a ‘Fitzhugh’ pattern rectangular Box and Cover, 17.5cm.; and a ‘family-rose’ Bowl, all damaged.

A Group of four Export wares,
Qianlong, comprising: two armorial
Tea bowls and a Saucer, enamelled with a
festooned shield and monogrammed
S.B.D., three blue and white export ware
Coffee Cans, painted with peonies and
willow trees, a ‘family-rose’ Tea bowl and
two Saucers and an odd Saucer, some
chips.

A Pair of attractive export ware
Dishes, Qianlong, of European silver form,
with boldly threaded shaped rim framing
a border of scattered rose sprays about
an expansive oval panel and depicting a
lady adorning her hair before a mirror
placed on a table in the garden, seven
ladies in waiting attending upon her,
43cm.;

A Canton ‘family-rose’
Punch-Bowl, Jialing, the sides painted
with a continuous scene leading from
soldiers on foot and on horseback to a
group of dignitaries presenting
themselves to ladies on a terrace, a green
fret scroll border on the foot, on the rim
numerous white birds perched in
branches alternating with gilt dragon
edge trellis panels, the interior filled with
butterflies under a gilt border
centred on a figure medallion, 32cm.;

A Pair of ‘family-rose’ hexagonal Vases, 19th Century, each panel painted with an Immortal below attendants between applied flower, bamboo and pomegranate handles, chips, 27.5cm.;

A ‘family-rose’ enamelled porcelain Plaque in a wood Frame and Stand, 19th Century, decorated with a scene of officials gathered about a potentate seen over the walls of his palace where a party receives a further visitor; a hung haul frame and elaborate steed stand, 74cm.;

A Pair of ‘family-rose’ Fish
Basins, Guangxu, each painted in
predominantly green enamels with pairs
of birds including a peacock and golden
orioles between borders of brocade and
meandering flowers, the latter containing
landscape vignettes under the lipped rim,
five ornamental carp within, 41cm.;

A Pair of Canton ‘family-rose’
Vases, Guangxu, of true baluster form,
each applied with a gilt dragon and pearl
between an upper garden scene of fowl
and a lower landscape filled with
peacock, deer, phoenix and songbirds,
hair-crack, 29.5cm.;

A Pair of Canton Vases, 19th
Century, each of tall mallet form,
applied on the shoulders and wasted
neck with pairs of gilt dragons and
Buddhist lions in a ground of scattered
Precious Objects and figure vignettes
reserved with two larger gilt key-fret
framed figure panels, one rim riveted,
61cm.; 24in.

A Canton ‘family-rose’ Basin,
Bottle and Stopper, both filled with
scattered flowers and fruit inhabited by
birds and butterflies, the bottle of classic
globe and shaft form, the basin with
reverted rim, 40cm.; 153In, damage to
stopper .

A pair of Canton ‘family-rose’
Jars and Covers, Jialing/Dialoguing, each
stout baluster body well painted with
broad figure narratives between fruit and
butterflies in gilt ground borders,
gilt-metal mounted rims, one jar and both
covers restored, 65cm.;

A ‘Da ya zhai’ Box and Cover,
late 19th Century, of rounded form,
enamelled with pairs of crested white
birds wading amongst us, massive
flower heads emerging between broad
green leaves, further birds descending
from the sky, the cover inscribed Da ya
zhai alongside an iron-red seal, the base
with the four character mark yong ching
chang chun (eternal prosperity and
enduring spring) in iron-red, 31cm.;

‘Da ya zhai’, translating ‘Pavilion of Grand Culture’ or ‘Studio of the Greater Odes’, was the studio name of the formidable Empress Dowager, Cixi. The group of wares bearing this inscription is therefore associated with her and it is thought that the designs may have been inspired by her own paintings if not for her own personal use.

A fahua Jar and Cover, 19th
Century, of compressed upright baluster
form, the broad sides slip-trailed with the
Eight Immortals between white clouds
against an aubergine background framed
by waves and a blue rye collar, repeated
on the cover with green flower head
centres, 27cm.;

A turquoise glazed Group of Wendi, Ruler of the North, Ming/early Ch’ing Dynasty, seated upon a stepped throne, on either side a diminutive courtier, at his feet a tortoise and snake, facial features left in the biscuit, occasional black and gilt pigments, minor restoration to tortoise, 18.8cm.;

UNDER GLAZE-BLUE AND BLUE AND WHITE PORCELAIN

A Ming blue and white Wine
Jar, Guan, circa 1500, of stout baluster
form, pencilled with a white peony
meander in a pale-blue ground band,
between lappets and a bus-filled rye
border covering the shoulder beneath
repeated clouds on the wasted neck,
restored, 30cm.;
Two jars with similar borders, but lacking the blue ground central band, are illustrated by Kraal, Chinese Ceramics in the Topkapi Saray Museum, Istanbul, Vol.

A provincial blue and white Meiping, Ming Dynasty, the inverted baluster-shaped body decorated with a continuous band of flowers and scrolling foliage below a rye collar enclosing us, the narrow splayed foot encircled by tall lappets, 24.7cm.;

A 17th Century blue and white Brush pot, Transitional Period, the
wasted body painted with a continuous scene of crested birds amongst rocks and flowering peony between incised line borders, rim chipped, 22cm.;

A blue and white Jar and
Stopper, late 17th Century, the globular
body filled with a formal us meander
between lappets and a rye border under
a short cylindrical neck, 20.5cm.;

A blue and white Jar, circa
1600, of stout ovoid form, entirely filled
with a formal us meander arranged in
five alternating levels of flowering us
between simple scroll and lappet borders,
rim chips, very minor cracks, 34cm.;

An attractive late Ming blue and
white Bottle, Wanly, of hexagonal
double-gourd form, each lower facet
filled with a fruiting peach, blossoming
prunes’  or leafy bamboo, each trunk
contorted into an auspicious cursive
character under a waist of smaller
emblems, further flower and fruiting
branches on the upper bowl beneath a
wan diapered blue zone, very minor
hairline crack in rim, 26.3cm.;

A blue and white Vase, Kanji, the cylindrical sides painted with pairs of scholars’ scrolls between inward pointing stiff leaf lappets, glaze fritting, 18cm.; 7in.

A blue and white export ware Mustard Pot and Cover, Kanji, the
spherical body moulded with us petals,
Long Eliza’s between flowers upon a
flanged spreading circular foot, knops
glued, 14cm.;

A blue and white small saucer
Dish, mark and period of Yongzheng,
the centre painted with three us
blooms amongst scrolling foliage within
double-line borders, the exterior with a
continuous band of similar decoration,
minute chip, 13cm.;
A blue and white wine stem
Cup, mark and period of Qianlong, the
reverted bowl sides decorated with us
blossom and foliage interspersed with
lance motifs, the interior with a stylised
us spray, the tall splayed foot encircled
by a key pattern above a band of beaded
pendants and ruyi border, small chips, rim
reduction, 8.5cm.; 33in., six character seal
mark.

A blue and white circular Water
Pot, 18th Century, painted with a
warrior courting a lady in a garden,
4.5cm.; four character Chenghua
mark; and another Water Pot, decorated
with a fisherman by a lakeside dwelling,
4cm.;

A blue and white small beaker
Vase, Gu,Kanji, the flared trumpet
neck and splayed base painted with petal
panels filled with ‘Long Elizas’ with
flowers between, the central knops
decorated with prunes’ , small chips to rim,
12cm.;

A blue and white bottle Vase,Kanji, the inverted baluster body moulded with us panels filled alternately with ‘Long Elizas’ and peonies in vases, below a knapped neck decorated with bamboo and flowers, 14.5cm.;

A blue and white small circular Jar and Cover, Qing Dynasty, painted with leafy branches bearing pomegranates, 7cm.; and two circular Boxes and Covers, 19th Century, decorated with figures in a landscape or with a dragon, 6.4cm.;

A blue and white small spherical Vase, 19th Century, painted with a continuous scene of a scholar in a lakeside dwelling watching a fisherman as another crosses a bridge in the forested and mountainous landscape, star crack, 6cm.; 23in., scholars’ implements mark in under glaze-blue.

A blue and white small baluster Vase, Qing Dynasty, painted with a stick gatherer descending a mountain to a tree and house lined shore where a herdsman leads an ox, 8cm.;

A Pair of miniature blue and white baluster Jars and Covers, 19th Century, each painted with us blooms and foliage below similarly decorated cover, 6cm.; 23in., six character Yongzheng mark; and a blue and white miniature double-gourd Vase, the lower body decorated with three geese amongst bamboo, the upper with another goose flying.

A Pair of blue and white miniature bottle Vases, Kanji, each decorated with four quatrefoil panels filled with dense floral scroll with prunes’  in between, double knapped necks, chip
to one, 8cm.;

A Pair of blue and white
miniature bottle Vases, Kanji, each
painted with panels filled
with flowers and foliage beneath a
knapped lappet decorated neck, small
damage to one, 8.5cm.;

A Pair of blue and white Wine
Cups, early 18th Century, the exteriors
painted with fish and jewellery pendant
motifs, 6cm.; 23in.,

A Set of three blue and white small saucer Dishes, 18th Century, each decorated with prunes’  sprays and foliage, the underside similarly decorated, small chips, hairline crack to one, 10cm.; 4in. diam.; and a cylindrical Pot and sunken Cover, painted with figures by a dwelling, 5cm.; 2in.

A blue and white Wine Pot and Cover, Kanji, moulded with petal-shaped ‘Long Eliza’ and blossom decorated panels, spout chipped, 8cm.; mark in under glaze-blue; and another of similar design.

A cafe-au-laity Batavian ware blue and white Wine Cup and Saucer, Kanji, each centred by a garden medallion inhabited by a maiden, framed by shaped panels containing prunes’  blossom and branches, saucer 10cm.; 4in.

A blue and white small tapered octagonal Wine Pot, Kanji, each facet decorated with white flowers and foliage in the blue ground, the cover similarly decorated, tiring cracks, 12cm.;

A blue and white saucer Dish, Kanji, the centre painted with two herdsmen and a bull in a rocky landscape, the reverse with bamboo and branches, 10.9cm.; six character Chenghua mark.

A Set of four blue and white Plates, 18th Century, each painted with a ‘Jumping Boy’ pattern within a trellis and fruit panelled border, damaged, 10cm.; 4in. diam., various character marks.

A blue and white miniature
bottle Vase, mark and period of
Daoguang, decorated with three dragon
roundels below a long neck decorated
with upright blades, 7cm.; Qianlong seal mark.

A blue and white export ware
Dish, Qianlong, attractively pencilled
with a jay in a flowering magnolia tree
above a peony and rock under six flower
sprays on a rim, framed by a pair of
hatched trellis borders, 38.7cm.; 154in.

Two blue and white export ware
Meat Dishes, Qianlong, comprising: one
painted with dwellings and trees by a
river under a complex brocade border,
the other decorated with large peonies
and a willow tree growing from a fenced
rock formation under a peony border,
31.2cm.;

A Set of eight blue and white
export ware Meat Dishes, Qianlong, each
pencilled with sprays of various flowers
within a cross-hatched trellis border,
comprising: two Pairs of larger Dishes,
36.5 and 33cm.; 13in., and a Set
of four smaller Meat Dishes, 25cm.;

A blue and white export ware
Ewer, Qianlong, of pear form, painted
with rocks and peony beside a willow
tree, a whorl brocade about the spout,
30.8cm.;

A Set of three export ware blue and white Meat Dishes, Qianlong, each painted with a pair of pheasants on a flower-lined shore within a barbed cavetto, trellised canted rim, 35.5cm.; 14in.; and a small Meat Dish en suite, 27.2cm.;

A blue and white prunes’  pattern ovoid Jar and Cover, 18th Century, 28cm.; a prunes’  ground beaker Vase, rim repair, 35.5cm.; 14in.; and a prunes’  ground ovoid Jar, restored.

A blue and white export ware Dish, Qianlong, painted with an arrangement of Precious Vessels and books upon a rock under a willow tree, the rim filled with a complex scroll diaper border, 39cm.;

A similar Dish, Qianlong, the
cavetto filled with a trellis under three peony sprays on the rim, 38cm.; 15in.

A blue and white Vase, 19th
Century, the compressed low body filled
with a traditional Ming-style us
meander rising up the tall cylindrical
neck under an upright band of stiff leaf
lappets, 39.9cm.; 152in., wood stand.

A clobbered blue and white
Bottle, Qianlong, the spherical body
pencilled with peonies and panels of
willow between pencilled trellis borders
under further peonies on the neck, later
enamelled in green, blue and
predominantly iron-red heightened in
gilding, 27cm.;

ARMORIAL

An armorial Plate,Kanji,
painted with the arms of Horsmonden in
Impair palette, the central shield and crest
framed by four further shields and
barbed garden panels on the rim, hairline
crack, 22.2cm.;

An export armorial Basin,
Yongzheng, the interior filled with the
arms of Sayer quartering Woodhouse and
Brooke within a deep cavetto panelled
with fruit in an iron-red and gold trellis
under pomegranate, willow, other sprays
and treasures on the reverted rim carrying
the repeated crest, restored, 35.9cm.;

A large export ware armorial Dish, Kanji, painted in ‘family-verge’ enamels and gilding with arms titled OVER. YSEL within flowers framed by a panelled trellis cavetto containing fish under a flat rim containing three landscape panels of poets with wine jars between bird panels, all reserved in the under glaze-blue trellis ground, crack and rim restoration, 43cm.; I7in.

An armorial saucer Dish, Qianlong, painted with an impaled coat-of-arms within a part under glaze-blue shaded outline under predominantly iron-red and gilt borders and a series of treasures borne upon willow and waves, hairline crack, 22.7cm.; 87in.

A Pair of armorial Soup Plates, Qianlong, the centre filled with the fully mantled crest and shield of Biss impaling Bill over the motto sis FAEUX BIS under two gilt spearhead borders in the cavetto framed by a gilt and grisaille trellised rim incorporating six barbed panels containing flower and fruit alternating with butterflies, 22.2cm.;

A ‘family-rose’ armorial Saucer, Qianlong, the centre filled with the shield of Frederick within full mantling, part outlined and coloured in under glaze-blue under predominantly iron-red and gilt borders incorporating the crest between treasures and willow sprays, hairline cracks, 16.1cm.;

An export armorial Snuff Box, Qianlong, with moulded sides, bottom and cover, the latter carrying the shield and crest of John Edward Wright band, the sides with cameo landscapes and scenes of birds, the bottom with a European harbour scene, gilt-metal mounted hinged rims and liner, cover cracked, 7cm.;

An export ware armorial star-shaped Dish, Kanji, charged with the arms of Raymond in a central blue gourd medallion, six Imaret flower sprays on the angled sides of the six-pointed rim, 13.9cm.;

An armorial Plate, Yongzheng/ Qianlong, enamelled and gilt with the full achievement of Clifford, the dragon crest repeated on the rim between two cell diaper borders in under glaze-blue also enclosing five flower sprays repeated underneath, fritting, chips, 29.8cm.;

A monogrammed export ware part Dinner Service, Qianlong/Jailing,
each piece decorated in gilt detailed orange with birds and butterflies amongst scattered flowers and fruit, each piece monogrammed M.W.C.(f), comprising: oval Soup Tureen, Cover and Stand, approx. 33cm.; 13in., rectangular Vegetable Tureen and Cover, Sauce Tureen, Cover and Stand, Meat Dish, saucer Dish and twenty-four Plates (in three sizes), some damage.

Tags: baluster, body, brocade, character mark, Chenghua, Chinese, chinese export, chrysanthemum, concave sides, cracked ice, diaper, Dish, Dynasty, earthenware, flower sprays, Garden, gilding, ground, Guangxu, hairlines, hexagonal, hirado, Japanese, Kanji, Koro, Kutani, landscape, Mandarin, mask, Meiji, Mug, Objects, Period, precious objects, Qianlong, Qing, quatrefoil, rim repair, roundels, Satsuma, Teapot, tendrils, Vase, Vases, Wine, wood

Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim

hairlines, 13cm.;

A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.

A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.

A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.

A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;

A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.;  incised four-character mark.

A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;

A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;

A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;

A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .

An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;

An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;

An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;

A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring

handles, 31cm.;

An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;

A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;

A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;

A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;

A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;

A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;

Tags: 18th century, 19th century, bamboo, Basket, basket of flowers, bird, brocade, Chinese, chip, cinquefoil, Cups, dragon moon, earthenware, female deities, Filled, Fukagawa, gilding, hexagonal, impair, Kinkozan, Kutani, Meiji, Meizan, Plate, porcelain, procession, prunes, samurai, satsuma vase, Saucers, signature, Taisho, trumpet, Vases, yabu

An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase

An Impair Plate, late I7th/early 18th Century, centred by a basket of flowers framed by flower and bird panels, 24cm.;

A Kutani Cat, Meiji/Taisho Period, curled up asleep with brocade bow and bells on its collar, ear chip.

A Pair of Impair Vases, Meiji Period,
each tapering body decorated with ho-o flying
in and out of a dense ground of leaves and
flowers under a concave trumpet neck filled
with brocade, 61.8cm.;

A finely enamelled Kinkozan
earthenware Figure of a begin, Meiji/Taisho,
the young woman wearing a kimono
meticulously painted with a design of
overlapping flower carriages against a
pale-purple ground, her obi carrying dragon
moon in a simulated gold file woven cloud
ground incorporating the signature, fan broken,
head glued, 43cm.; 17in.

A Satsuma Vase, Meiji/Taisho Period, of short ovoid form, enamelled with broad panels of samurai and potentates against and between a brocade ground.

A Pair of Satsuma booted Vases, Meiji/Taisho Period, each blue enamelled ground decorated with samurai seen through flowering prunes’  under a brocaded neck, 31cm.;

A Pair of Satsuma Vases,
Meiji/Taisho Period, each tapering slender
body lavishly gilt with panels of samurai and
female deities between fabric moulded and
enamelled brocade borders, 46cm.; 18in.,

Yabu Meizan: A Satsuma hexagonal Jar, Stopper and Cover, Meiji Period, finely enamelled with flower, fan, landscape and procession scenes, glued, 13.8cm.;

A Pair of Satsuma Vases, Meiji, of shouldered squared ovoid form, painted with figure and landscape panels within an under glaze-blue ground embellished in gilding, rubbed

hair-crack in one, 36cm.;

A Satsuma Bowl, Meiji Period, of
cinquefoil outline, the deep-blue ground
reserved on the inside with a smaller cinquefoil
panel scene of begin with children, 21.8cm.;

A Kinkozan Satsuma Koro, Cover and
inner Cover, Meiji Period, with bamboo leaf
moulded handles and bamboo borders
training gill spruce against a deep-blue
ground.

Yabu Meizan: Seven Satsuma Cups, art Saucers and a Sugar Bowl, Meiji, each enamelled with different flowers or shrubs.

An enamelled Arita Dish, 18th Century, painted in soft under glaze-blue heightened in over glaze enamels with three children jumping about a lady in a garden where an Immortal

appears upon a cloud, framed by eight repeated figure panels radiating between repeated bird panels under a prunes  bordered rim, riveted, pseudo Chinese mark, fu gui chang chun

(riches, honour and enduring spring), 31.2cm.;

Yabu Meizan: A Satsuma Koro and Cover, Meiji, the low cylindrical sides painted with boats in a bay under curled-over short strap handles, the shoulder and pierced cover filled

with millefiori, on three bracket feet, handle repair, signed Yabu Meizan, 6.5cm.;

A Pair of Japanese turquoise glazed porcelain Tigers, 19th Century, recumbent with closed and half-open mouth, chips, paw missing, 17.8cm.;

A Satsuma Tea Service, Meiji/Taisho period, painted with quail and other birds amongst flowering plants and shrubs, comprising: Teapot and Cover, Sugar Bowl and Cover, Jug and

Cover, six Cups, Saucers and Plates.

A Fukagawa Imari Vase, Meiji Period, of broad ovoid form, the flower-filled ground reserved with four barbed panels of flower baskets and landscapes, 25.5cm.;  signed in

iron-red.

A Fukagawa Imari Bowl, Meiji Period, the fluted interior filled with four garden panels in a deep blue ground centred by a vase of flowers, a continuous flower meander on the

exterior, 27.8cm.; bamboo signature in under glaze-blue.

Kinkozan: A Satsuma Vase, Meiji, of cylindrical form between waited foot and neck, the body finely decorated with three kidney-shaped panels of figures reserved against a blue

ground and separated by moulded bamboo borders, 14.2cm.; 5Vsin., signed on body in gilding, impressed mark, Kinkozan.

An Arita Plate, late I7th/early 18th Century, painted in inky tones of under glaze-blue with flowers on a fence framed by six radiating panels of alternating flowers, 22cm.

Tags: 19th century, aubergine, Baron King, beasts, blue vase, borders, brocade, Canton, character, character mark, Chinese, chinese imari, dragon and phoenix, Dynasty, figure, Filled, flower heads, Guangx, Guangxu, hexagonal, Kanji, Ming, Ming Dynasty, Mug, mythical beast, peony garden, pheasants, prunes, Punch, punch bowl, ridge tile, river, samson, Saucer, tea caddy, Vase, wawa, whim, wood, Yongzheng

Сhinese Ceramics:  ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl

A large ‘family-rose’ Charger, Qianlong, the centre Filled with an almost pyrotechnically multi-coloured peony in a final framed by a whorl ground border
billed with placed flowers, cracks, 42cm.;wood stand.

A ‘family-rose’ baluster ‘wawa’ Jar, Guangxu, painted with hundreds of boys performing out-of-doors festivities, drilled, 38cm.; 15m., wood stand .
A blue and white export Plate, Qianlong, painted with a river scene, a boat overshadowed by trees on a shore under a barbed cavetto and complex brocade on the rim, 25.8cm.

A Pair of ‘prunes’ ‘ Jars, Guangxu, ea of ovoid form, painted with blossoming whim branches against a blue ground, 25.5cm.; low four character mark of Kanji . with a kylie and

phoenix framed by four auspicious beasts in panels with auspicious flowers in-between, extensive riveting, 36.2cm.; 141/4in., seal mark in under glaze-blue.

A Chinese Imari Bowl, Kanji, well painted with two orange pheasants on rocks a peony garden, two cracks, 26cm.

A powder-blue Vase, Qianlong, of
hexagonal mallet form, with pierced long
handles, traces of gilt landscape and figure
designs, 41cm.; 16in.

A ‘Companies-des-Indies’ Tea Caddy and Cover, Qianlong, of arched rectangular form, each side painted with a tied spray of European flowers, chipped cover, 13.2cm.

A gilt-metal mounted ‘Companies-de Indies’ Bowl, Qianlong and 19th Century, painted with figures out-of-doors between upright acanthus, cast gilt-metal handles linking rim and

wasted foot, 28cm.

An aubergine glazed kylie Seal Box and Cover, 19th Century, standing four-square, 6.2cm.

A yellow glazed Ridge-tile Figure, Ming Dynasty, a sitting mythical beast with flame-

A ‘family-rose’ Peach, 19th Century, green with a flush of rose, moulded with a leafy branch, 11cm..

A yellow ground ‘family-rose’ Dish, 19th Century, enamelled with dragon and phoenix amongst clouds, 34cm.; 133in., six-character mark in iron-red of Qianlong, box .

A Pair of export ware Saucers, circa
1800, decorated with Bianca –copra - Bianca sprays
between pencilled borders, 15.5cm.; 6Vsin.; and
a Douay Cup, painted with a formal cloud
design, mark of Yongzheng, wood stand .

A blue and white Dish, Kanji,
painted with cut flowers in a medallion centre
rammed by two tiers of lappets containing
further flower heads under a barbed rim,
15.7cm.; 6in., us spray mark.

A Chinese armorial Punch Bowl,
Qianlong, twice charged with the full arms of
Baron King between scattered flowers under a
plain turquoise ribbon border incorporating
two racially panels, restored, 35.5cm.; 14in.

Possibly the arms of the Fifth Baron King of Ockham, his wife’s arms in pretence.

Canton ‘family-rose’ Bowl, Daoguang, the exterior finely painted with a
continuous scene of figures out-of-doors, the
interior with framed panels of figures, both under mille fiery borders, 36.8cm.; 141/2in.
Another Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous scenes of figures in the grounds about a house under a border of fruit, crack,

36.8cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous figure scenes under flower and fruit borders, 35cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with panelled scenes against a flower-strewn ground, 34cm.;

A Garniture of five Samson armorial ‘Compagnie-des-Indes’ Vases, late 19th Century, three of baluster form with covers, two trumpet beakers, all of hexagonal section, repairs to

covers, 12 and 16cm.;

A ‘family-rose’ Mug, Qianlong, the cylindrical body painted with a circular medallion of a man shooting between beaded’ borders under an incurved rim, applied twin strap

handles, 13cm.;

Tags: 10cm, 18th century, 19th century, A, Anhui, Aria, body, borders, Bowl, bronze, Canton, Censer, Century, character, Chine, chinese export, cobalt blue, Dish, eggshell porcelain, flower sprays, foliate, fret, Garden, Guangx, hand, hinese, jardiniere, Kanji, medallions, Ming, Ming Dynasty, porcelain bowl, Qianlong, Qing, qing dynasty, samson, Saucer, shoulder, soup plate, spheroid, streaky, tea bowls, tripod, Vase, wood

Сhinese Ceramics: Canton ‘hundred antiques’ Jardiniere, 19th Century, A carved celadon Dish, Ming Dynasty, white Bowl, Qing Dynasty, Plate, Kanji

A sang de beef Vase, 18th Century,
of bronze hub form, a pair of applied dog-of-For masks biting rings upon a shoulder horizontally zoned by a pair of moulded lines, the characteristically streaky glaze draining

from the rim, bevelled foot, 32.7cm.

A Canton ‘hundred antiques’
Jardiniere, 19th Century, of flared square
form, on bracket feet, the celadon sides
attractively enamelled with auspicious vessels
and arrangements of plants amongst scattered
medallions between key-fret and foliate
borders, crack, 27.8cm.

A celadon bottle Vase, Qing Dynasty, mark of Qianlong, the stout spheroid body slip-trailed with archaistic fang scroll medallions centred by a lengthy fungus, all filled in

cobalt blue, the wasted neck similarly decorated with bats between fang moulded pierced handles, 37.5cm.; 143In, six character seal mark in under glaze-blue    .

A carved celadon Dish, Ming Dynasty, and a tripod Censer, the first carved with a central flower, the second supported on the backs of three boys, 16 and 10cm., one boxed, one

on wood stand (4).

A ‘devils work’ white Bowl, Qing Dynasty, mark of Qianlong, finely pierced with dragons amongst clouds over combed Anhui’ waves, the main design filled with a wash of glaze,

13.6cm.; 53in., seal mark in under glaze-blue, boxed.

An nhui’ eggshell porcelain Bowl, Qing Dynasty, finely incised with dragons amongst flames, 12.7cm.; 5in., archaic mark, (a myriad ages without ending), boxed.

A Chinese export armorial Soup Plate, Qianlong, octagonal, charged on the rim with the crest and arms

A Group of Export ware, 18th Century:
two blue and white Plates, a ‘family-rose’ Plate,
two Tea bowls and a Saucer .

A Samson armorial Bowl, late 19th
Century, charged with a variant of the arms of
Hamilton within under glaze-blue bands and scattered flower sprays, 30cm.; 12in., marked.
An export ware bell-shaped Mug, Qianlong, painted in ‘family-rose’ enamels with four ladies and two boys about a table under a gilt border, 13cm.

A ‘family-rose’ Teapot and Cover, Qianlong, enamelled with a family in a garden, serpent moulded spout, small crack, 16cm.; 6in. (2).

A ‘family-rose’ sparrow beak Jug, Qianlong, enamelled with maidens and boys in a garden, 8.5cm.; 33in.; and a Saucer .

A Pair of ‘family-rose’ miniature
trumpet beaker Vases, Qianlong, each wasted
body enamelled with a blue and yellow bird
upon a flowering shrub, 8.2cm.

An early Ming celadon Figure of Guan Yin, 14th/15th Century A.D., seated with a small vase in one hand, the other hand resting on her knee, her biscuit face washed in lustrous

iron oxide, the glaze of clear sea green colour with an overall crackle, 17cm.

A ‘family-verte’ Plate, Kanji,
enamelled with a rider and attendant dwarfed by a scholar’s table by a fence and palace, scholar’s implements on the rim, crack, 22cm.; 83in., ding mark in under glaze-blue   .

Two ‘family-rose’ Figures, Jiaqing,
one of Ganging with a diminutive child,
20.5cm.; 8Vsin.; the other of a have spirit,
chipped, 17.8cm.; 7in.

A blanch -de-Chine Figure of Butyl, 18l Century, the jovial god seated with a rope of beads on his knee, finely incised facial festoon 8.5cm.; 33in., impressed potter’s square

seal mark huang haul stand (2)    .

A transitional blue and white ’sleeve’ Vase, 2nd quarter 17th Century, well painted with a kingfisher perched above water fowl, two landing on a us pond, crack and chip,

26.5cm..

An attractive blue and white small Dish, early 17th Century, of saucer form, simply painted with a bird on the branch of peach tree, 10.3cm.; 4in.
A carved celadon Jar let, early Ming Dynasty, of stout ovoid form, carved with meandering us beneath a pale sea green glaze, 10.8cm.; 4/4in.

A sang-de-beef ‘dome of heaven’
Vase, 18th Century, of bottle form, with a
dark greyish-maroon glaze draining from the
rim, chipped foot rim, 31cm.

A Chinese ‘family-rose’ double Vase, Guangxu, painted with Immortals on a shore inspecting a scroll and smaller landscapes, reserved in a flower-strewn green ground under a pair

of masked and loose rii handles, rim chip, 37.2cm.; seal mark Qianlong in iron-red.

Tags: 18th century, apocryphal, approx, Aria, blossoming garden, bombe, border, bottle, Bowl, brocade, Canton, carved wood, celebrating the new year, Century, chengdu, Chinese, chinese export, chinese style, chip, cylindrical neck, fish roe, Guangx, Guangxu, hair cracks, ivory, jade, jardiniere, maidens, Mandarin, Ming Dynasty, pattern, paw, Plates, processional, prunes, Qianlong, red bird, repair, rice bowl, samson family, Saucer, Set, small plates, Stands, tang, Vase, Vases, Wine, wine cup, Worcester, Yongzheng

Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu

A ‘family -verte’ Jardiniere, Guangx the rounded sides enamelled with a pheasant amongst flowers and rocks, lipped rim, 26cn 10 in.; and a carved wood Stand (2).

An ivory glazed Bulb Bowl, Ming Dynasty, with bombe sides over three paw few carved with flowers, crack, feet loose, 29cm.; and a cream glazed Vase, 24.3cm.; 9/2in.

A matched Set of four blue and white small Plates, Kanji, each painted with a ‘Jumping Boy’ pattern framed by a trellis bordered rim, hair-cracks, chip, approx. 10cm.; 4in.,

three with apocryphal Chengdu marks, one marked tang (made for the hall of precious jade) .

A ‘family -rose’ bottle Vase, Daogu the low body and cylindrical neck enamelled with richly blossoming branches, 30cm.

A Pair of ‘family-rose’ Lanterns and Stands, Guangxu/later, each decorated with wa-wa scenes of children celebrating the New Year with processional dragons and fireworks (4)    .

A Pair of Chinese crackleware balls Vases, Guangxu, with ‘bronzed’ dragon relief under prunes’ handles, 25.3cm.; Win.

A ‘family-rose’ octagonal Bowl, mark
and period of Tongzhi, eight figures
accompanied by auspicious animals arranged
about the sides, puce interior, chip, minor
repairs, 18.6cm.; 7 in., seal mark in red.

A Pair of ‘Mandarin’ palette baluster Vases, Qianlong, each ‘fish roe’ blue ground reserved with enamelled domestic scenes of figures, hair-crack, 17.8cm.; 7in.

A good ‘rose-verte’ Wine Cup and Saucer, Yongzheng, each piece painted with maidens accompanied by deer in a blossoming garden, small glaze chip, three cracks in saucer; and a

‘family-rose’ Rice Bowl and Stand, painted with an iron-red bird amongst flower repair, bears Marryat Collection label; and a ‘Queens’ pattern Saucer .

A Samson ‘family-rose’ Plate, late 19th
Century, painted in Chinese style with a lady
observing foul deeds in a garden framed by a
complex brocade border, 22.7cm.
.
A transitional blue and white Food Jar,
mid- 17th Century, painted in soft tones of
under glaze  cobalt blue with two fabulous
beasts among rocks, one a dragon-headed scaly
animal, the other of ram-like appearance,
hung with metal swing handles, 21cm.; 8in.
diam.

An Aria blue and white Coffee Urn,
late 17th Century, of conical form, the
tapering sides painted with two birds among
flowers, rocks and fruiting pomegranate,
square spigot button, 26.5cm.; 10′/2in.

A Pair of Canton ‘family-rose’ Vases, Guangxu, each of mallet form with applied gilt dragons and dogs-of-For over figure and bird panels, chip, 25.8cm.; Win.

A Chinese Imari Charger,Kanji, closely following a Japanese original with panels of shish birds and butterfly separated by three under glaze-blue wave-edged panels filled with

peony and radiating from a flower basket medallion centre, repaired, 46cm.; 18in.

A Group of export ware, 18th Century,
comprising: two Teapots, a Canton enamel Bowl, Cover and Stand, a Cup and Saucer, a Worcester ‘Lowestoft’ Teapot and a He rend arrow beak  Jug and Cover, some damage .

A spinach green jade Bowl and Cover, 18th Century, repaired, 15cm.; 57in., wood ; tend  .
An attractive Longue celadon Dish, early Ming Dynasty, of characteristic form with fluted interior radiating to a lipped rim, ill covered in a rich bluish-green glaze front made

back, the biscuit firing ring oxidized to range.

A Pair of Chinese Stick Stands, of
cylindrical form, painted with green dragons, drilled, one damaged, 65cm.; 25/2in.

A Pair of turquoise glazed Dogs-of-For, 20th Century, seated on cube bases, 32cm.; 12/2in.

A coral-red ground Dish, reserved with a partially unrolled scroll filled with a river landscape, gilt flower sprays scattered round about, 23.3cm.; Win., seal mark of Qianlong

in under glaze-blue (boxed).

Chinese export armorial wares, late Qianlong, comprising: a Pair of Fitzhugh border pierced Dishes bearing the arms of Brent, distressed, 25.6cm.; and a Pair of Vegetable

Tureens bearing the crest Farquason over a festooned shield monogrammed J.F., damaged handles .

Tags: 16th century, 18th century, 19th century, acolytes, baluster, border, Bowl, Buddhistic, Century, chinese family, Covers, Dynasty, figure, flower, flower heads, flower sprays, Garden, gilding, grisaille, ground vase, guan yin, Guanyin, insects and flowers, Jar, jug, leaping carp, Mandarin, medallion, meissen, ovoid body, pagoda, punch bowls, Qing, repair, riflemen, rock, Saucer, Southern Chinese, stoneware, Swatow, tea bowl, tea wares, Teapots, Vase, Vases, vermicular, wood

Сhinese Ceramics:  Tea bowl and Stand, Qianlong,  Teapots and Covers, Qianlong, Tea wares, Qianlong

A Swatow Dish, 16th Century, of Split Pagoda’ family, enamelled in turquoise and green with five leaping carp between iron-red sprays revolving about a central medallion, chips,
38.7cm.;
A black ground Vase, Qing Dynasty, of lively baluster form, decorated in gilding with Buddhistic lions, rim repair, 58.5cm.; 23m.
A blank-de-Chine Figure of Guanyin, 18th Century, seated with robes falling down to the ground to one side, in her raised right hand a small scroll, chips to fingers, 20.5cm.;
8in.
A blank-de-Chine Group of Guan Yin, 18th Century, seated upon a rock between two acolytes, missing vases, 22.8cm.; 9in.
A large ‘family-rose’ Tea bowl and Stand, Qianlong, each piece painted with six radiating panels of figures alternating with flowers under a gilt vermicular border.
A Group of export Tea wares, Qianlong, comprising: three ‘family-rose’ Tea bowls, one with Meissen-style panels of European hunters and Chinese riflemen in grisaille and
rouge-de-far palette, and a Saucer with a central panel of three ladies and a gentleman, 15.8cm.; 6′Ain., some damage or rubbing.
A Set of four ‘Companies-des-Indies’ Plates, Qianlong/Jialing, each painted with a pavilion ‘floating’ in a lake, 24cm.;
Two ‘family-rose’ Punch-Bowls,
Qianlong, one painted with puce scale borders
over flower sprays, the other with a Chinese
landscape, restored, 26.5 and 24cm.

Three ‘family-rose’ Teapots and Covers, Qianlong, one in Mandarin palette, one in Impair colours and one ‘family-rose’, restoration .
A good celadon Jar, 18th Century, the compressed ovoid body sprigged and carved with a continuous meandering stem bearing four flower heads and fleshy leaves between studded
borders, all under a glutinous bluish glaze, 24cm.
A Chinese ‘family-rose’ Bowl, 19th Century, of us flower form, the celadon ground painted with insects and flowers, rubbed; and a ‘family-rose’ Bowl, decorated with dogs-of-For .
A Southern Chinese stoneware Figure of a man, 19th Century, finely modelled seated on a rock peeping into a double-gourd bottle, 14cm. 51/2in.; and a Southern Chinese stoneware
Figure of a seated sage, 14cm.
The companion Saucer Dish, mark and period of Dialoguing, rim repair, 24.8cm. 93 in.
A turquoise glazed mythical Beast, 19th Century, part lion, part ram and of benevolent intent, seated and looking to its right, 19cm. 77/2m., wood stand .
A blue and white barrel-form Garden Seat, Gangue, painted with a pair of dragons confronted across pierced pairs of cash between studs and chrysanthemum-filled ruby collars, 48.5cm.
A blue and white tureen Stand,
Qianlong, painted with a pair of deer in a
Peony garden framed by a trellis, under flower
sprays trailing from the canted and notched
rim, 38.3cm.; 15m.
A blue and white Meat Dish,
Qianlong, painted with a maiden punting a
boat framed by a hatched cavetto under a
and scroll brocade border, 44.3cm.; 17in.
A Group of export Tea wares, Qianlong, comprising: a Set of six Tea bowls and four Tea bowls and Slop Bowl, cracks and repair; also a Spoon Tray, Milk Jug and en suite .
A Chinese blue and white ‘yen yen’ Vase, Kanji, painted in vivid blue with six auspicious mythical beasts upon spume fleck cracks divided between trumpet neck and baluster body, broken rim, 45.5cm.; 177.
A Companies-des-Indies Dish, Qianlong, painted in under glaze-blue with three scattered flower and pomegranate spray under a barbed and hatched rim border, 35.3 cm.