Mug, Qianlong, glazed Vase, Qing Dynasty, Impair Dish, Meiji Period, Pair of Satsuma Vases, Meiji Period

A ‘family-rose’ export ware Mug, Qianlong, cylindrical with dragon handle, painted in mandarin colours with a scene of figures framed within a ‘Y’-diaper ground, minor rim

hairlines, 13cm.;

A Pair of ‘family-rose’ cylinder Vases, Guangxu, each pink ground filled with green tendrils and reserved with yellow-framed figure panels, hair-crack, 35.5cm.; 14in.

A Pair of enamelled crackleware
Vases, Guangxu, each of broad true baluster
form enamelled with scenes of hunting parties
under applied ‘bronzed’ mask and ring
handles, minor chips, 48cm.; 18in., Chenghua.

A blue and white ovoid Jar,Kanji,
the ‘cracked ice’ ground reserved with three
quatrefoil panels of Precious Objects, rim
repair, 21.5cm.; 8in., wood stand and cover.

A Chinese blue and white octagonal Meat Plate, Qianlong, of canted form, painted with a landscape between four flower sprays, rim repair, 37.5cm.;

A lavender glazed Vase, Qing Dynasty, of attenuated hexagonal form covered in a well-graded glaze, 33.5cm.;  incised four-character mark.

A Chinese export ware Teapot and Cover, painted with landscape under complex brocade borders, 13cm.;

A Satsuma Bowl, Meiji Period, finely enamelled and gilt with chrysanthemum between brocaded roundels and key-fret borders, butterflies within, chip, 11.1cm.;

A Japanese earthenware Wine Pot, Meiji, of wide flared form, on three short feet, the concave sides enamelled with basin panels, small chip, 12cm.;

A Satsuma Koro and Wine or Teapot, Meiji, damage to leg, lacking covers .

An hexagonal Botde and Stopper, Meiji, enamelled with kidney panels under a brocade shoulder, 10.3cm.;

An Hirado monogram Ewer and Cover, tail arched over its back to form the handle, the carapace picked out with flowers, cover repaired, 17.8cm.;

An Impair Vase, Meiji Period, probably Fukagawa, each complex brocade ground reserved with oval garden panels, 30cm.;

A Pair of Kutani Vases, Meiji Period, each iron-red ground brocaded in gilding and filled with panels of birds, a cat catching a butterfly underneath, applied mask and ring

handles, 31cm.;

An Impair Dish, Meiji Period,
enamelled with a complex brocade of
overlapping scrolls and fans over hexagon
fragments filled with garden flowers and
dragons, 45.5cm.;

A Fukagawa Vase, Meiji Period, the ovoid body finely enamelled with colourful flowers between brocade borders, 26cm.;

A Pair of Impair Vases, Meiji Period, each of hexagonal ovoid form, the blue ground reserved with garden panels framed by brocade elements, restoration to one, 24.5cm.;

A Pair of Satsuma Vases, Meiji Period,
each of pear form, applied with a pair of dragon handles crouching over intricately enamelled scenes of samurai, rim repair to one, 24.2cm.;

A Set of five Impair Dishes, Meiji Period, each of lozenge outline, filled with a bird framed by brocade, two damaged, 29.5cm.;

A Kinkozan Satsuma Jarlet and Cover, Meiji Period, enamelled with begin and with a performance between lappet borders, rubbed signature, 8.7cm.;

Tags: 18th century, 19th century, bamboo, Basket, basket of flowers, bird, brocade, Chinese, chip, cinquefoil, Cups, dragon moon, earthenware, female deities, Filled, Fukagawa, gilding, hexagonal, impair, Kinkozan, Kutani, Meiji, Meizan, Plate, porcelain, procession, prunes, samurai, satsuma vase, Saucers, signature, Taisho, trumpet, Vases, yabu

An Impair Plate, Impair Vases, Meiji Period, Satsuma booted Vases, Fukagawa Imari Vase

An Impair Plate, late I7th/early 18th Century, centred by a basket of flowers framed by flower and bird panels, 24cm.;

A Kutani Cat, Meiji/Taisho Period, curled up asleep with brocade bow and bells on its collar, ear chip.

A Pair of Impair Vases, Meiji Period,
each tapering body decorated with ho-o flying
in and out of a dense ground of leaves and
flowers under a concave trumpet neck filled
with brocade, 61.8cm.;

A finely enamelled Kinkozan
earthenware Figure of a begin, Meiji/Taisho,
the young woman wearing a kimono
meticulously painted with a design of
overlapping flower carriages against a
pale-purple ground, her obi carrying dragon
moon in a simulated gold file woven cloud
ground incorporating the signature, fan broken,
head glued, 43cm.; 17in.

A Satsuma Vase, Meiji/Taisho Period, of short ovoid form, enamelled with broad panels of samurai and potentates against and between a brocade ground.

A Pair of Satsuma booted Vases, Meiji/Taisho Period, each blue enamelled ground decorated with samurai seen through flowering prunes’  under a brocaded neck, 31cm.;

A Pair of Satsuma Vases,
Meiji/Taisho Period, each tapering slender
body lavishly gilt with panels of samurai and
female deities between fabric moulded and
enamelled brocade borders, 46cm.; 18in.,

Yabu Meizan: A Satsuma hexagonal Jar, Stopper and Cover, Meiji Period, finely enamelled with flower, fan, landscape and procession scenes, glued, 13.8cm.;

A Pair of Satsuma Vases, Meiji, of shouldered squared ovoid form, painted with figure and landscape panels within an under glaze-blue ground embellished in gilding, rubbed

hair-crack in one, 36cm.;

A Satsuma Bowl, Meiji Period, of
cinquefoil outline, the deep-blue ground
reserved on the inside with a smaller cinquefoil
panel scene of begin with children, 21.8cm.;

A Kinkozan Satsuma Koro, Cover and
inner Cover, Meiji Period, with bamboo leaf
moulded handles and bamboo borders
training gill spruce against a deep-blue
ground.

Yabu Meizan: Seven Satsuma Cups, art Saucers and a Sugar Bowl, Meiji, each enamelled with different flowers or shrubs.

An enamelled Arita Dish, 18th Century, painted in soft under glaze-blue heightened in over glaze enamels with three children jumping about a lady in a garden where an Immortal

appears upon a cloud, framed by eight repeated figure panels radiating between repeated bird panels under a prunes  bordered rim, riveted, pseudo Chinese mark, fu gui chang chun

(riches, honour and enduring spring), 31.2cm.;

Yabu Meizan: A Satsuma Koro and Cover, Meiji, the low cylindrical sides painted with boats in a bay under curled-over short strap handles, the shoulder and pierced cover filled

with millefiori, on three bracket feet, handle repair, signed Yabu Meizan, 6.5cm.;

A Pair of Japanese turquoise glazed porcelain Tigers, 19th Century, recumbent with closed and half-open mouth, chips, paw missing, 17.8cm.;

A Satsuma Tea Service, Meiji/Taisho period, painted with quail and other birds amongst flowering plants and shrubs, comprising: Teapot and Cover, Sugar Bowl and Cover, Jug and

Cover, six Cups, Saucers and Plates.

A Fukagawa Imari Vase, Meiji Period, of broad ovoid form, the flower-filled ground reserved with four barbed panels of flower baskets and landscapes, 25.5cm.;  signed in

iron-red.

A Fukagawa Imari Bowl, Meiji Period, the fluted interior filled with four garden panels in a deep blue ground centred by a vase of flowers, a continuous flower meander on the

exterior, 27.8cm.; bamboo signature in under glaze-blue.

Kinkozan: A Satsuma Vase, Meiji, of cylindrical form between waited foot and neck, the body finely decorated with three kidney-shaped panels of figures reserved against a blue

ground and separated by moulded bamboo borders, 14.2cm.; 5Vsin., signed on body in gilding, impressed mark, Kinkozan.

An Arita Plate, late I7th/early 18th Century, painted in inky tones of under glaze-blue with flowers on a fence framed by six radiating panels of alternating flowers, 22cm.

Tags: 19th century, aubergine, Baron King, beasts, blue vase, borders, brocade, Canton, character, character mark, Chinese, chinese imari, dragon and phoenix, Dynasty, figure, Filled, flower heads, Guangx, Guangxu, hexagonal, Kanji, Ming, Ming Dynasty, Mug, mythical beast, peony garden, pheasants, prunes, Punch, punch bowl, ridge tile, river, samson, Saucer, tea caddy, Vase, wawa, whim, wood, Yongzheng

Сhinese Ceramics:  ‘family-rose’ Charger, Qianlong, Figure, Ming Dynasty, Chinese armorial Punch Bowl

A large ‘family-rose’ Charger, Qianlong, the centre Filled with an almost pyrotechnically multi-coloured peony in a final framed by a whorl ground border
billed with placed flowers, cracks, 42cm.;wood stand.

A ‘family-rose’ baluster ‘wawa’ Jar, Guangxu, painted with hundreds of boys performing out-of-doors festivities, drilled, 38cm.; 15m., wood stand .
A blue and white export Plate, Qianlong, painted with a river scene, a boat overshadowed by trees on a shore under a barbed cavetto and complex brocade on the rim, 25.8cm.

A Pair of ‘prunes’ ‘ Jars, Guangxu, ea of ovoid form, painted with blossoming whim branches against a blue ground, 25.5cm.; low four character mark of Kanji . with a kylie and

phoenix framed by four auspicious beasts in panels with auspicious flowers in-between, extensive riveting, 36.2cm.; 141/4in., seal mark in under glaze-blue.

A Chinese Imari Bowl, Kanji, well painted with two orange pheasants on rocks a peony garden, two cracks, 26cm.

A powder-blue Vase, Qianlong, of
hexagonal mallet form, with pierced long
handles, traces of gilt landscape and figure
designs, 41cm.; 16in.

A ‘Companies-des-Indies’ Tea Caddy and Cover, Qianlong, of arched rectangular form, each side painted with a tied spray of European flowers, chipped cover, 13.2cm.

A gilt-metal mounted ‘Companies-de Indies’ Bowl, Qianlong and 19th Century, painted with figures out-of-doors between upright acanthus, cast gilt-metal handles linking rim and

wasted foot, 28cm.

An aubergine glazed kylie Seal Box and Cover, 19th Century, standing four-square, 6.2cm.

A yellow glazed Ridge-tile Figure, Ming Dynasty, a sitting mythical beast with flame-

A ‘family-rose’ Peach, 19th Century, green with a flush of rose, moulded with a leafy branch, 11cm..

A yellow ground ‘family-rose’ Dish, 19th Century, enamelled with dragon and phoenix amongst clouds, 34cm.; 133in., six-character mark in iron-red of Qianlong, box .

A Pair of export ware Saucers, circa
1800, decorated with Bianca –copra - Bianca sprays
between pencilled borders, 15.5cm.; 6Vsin.; and
a Douay Cup, painted with a formal cloud
design, mark of Yongzheng, wood stand .

A blue and white Dish, Kanji,
painted with cut flowers in a medallion centre
rammed by two tiers of lappets containing
further flower heads under a barbed rim,
15.7cm.; 6in., us spray mark.

A Chinese armorial Punch Bowl,
Qianlong, twice charged with the full arms of
Baron King between scattered flowers under a
plain turquoise ribbon border incorporating
two racially panels, restored, 35.5cm.; 14in.

Possibly the arms of the Fifth Baron King of Ockham, his wife’s arms in pretence.

Canton ‘family-rose’ Bowl, Daoguang, the exterior finely painted with a
continuous scene of figures out-of-doors, the
interior with framed panels of figures, both under mille fiery borders, 36.8cm.; 141/2in.
Another Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous scenes of figures in the grounds about a house under a border of fruit, crack,

36.8cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with continuous figure scenes under flower and fruit borders, 35cm.;

A Canton ‘family-rose’ Bowl, mid-19th Century, painted inside and out with panelled scenes against a flower-strewn ground, 34cm.;

A Garniture of five Samson armorial ‘Compagnie-des-Indes’ Vases, late 19th Century, three of baluster form with covers, two trumpet beakers, all of hexagonal section, repairs to

covers, 12 and 16cm.;

A ‘family-rose’ Mug, Qianlong, the cylindrical body painted with a circular medallion of a man shooting between beaded’ borders under an incurved rim, applied twin strap

handles, 13cm.;

Tags: 10cm, 18th century, 19th century, A, Anhui, Aria, body, borders, Bowl, bronze, Canton, Censer, Century, character, Chine, chinese export, cobalt blue, Dish, eggshell porcelain, flower sprays, foliate, fret, Garden, Guangx, hand, hinese, jardiniere, Kanji, medallions, Ming, Ming Dynasty, porcelain bowl, Qianlong, Qing, qing dynasty, samson, Saucer, shoulder, soup plate, spheroid, streaky, tea bowls, tripod, Vase, wood

Сhinese Ceramics: Canton ‘hundred antiques’ Jardiniere, 19th Century, A carved celadon Dish, Ming Dynasty, white Bowl, Qing Dynasty, Plate, Kanji

A sang de beef Vase, 18th Century,
of bronze hub form, a pair of applied dog-of-For masks biting rings upon a shoulder horizontally zoned by a pair of moulded lines, the characteristically streaky glaze draining

from the rim, bevelled foot, 32.7cm.

A Canton ‘hundred antiques’
Jardiniere, 19th Century, of flared square
form, on bracket feet, the celadon sides
attractively enamelled with auspicious vessels
and arrangements of plants amongst scattered
medallions between key-fret and foliate
borders, crack, 27.8cm.

A celadon bottle Vase, Qing Dynasty, mark of Qianlong, the stout spheroid body slip-trailed with archaistic fang scroll medallions centred by a lengthy fungus, all filled in

cobalt blue, the wasted neck similarly decorated with bats between fang moulded pierced handles, 37.5cm.; 143In, six character seal mark in under glaze-blue    .

A carved celadon Dish, Ming Dynasty, and a tripod Censer, the first carved with a central flower, the second supported on the backs of three boys, 16 and 10cm., one boxed, one

on wood stand (4).

A ‘devils work’ white Bowl, Qing Dynasty, mark of Qianlong, finely pierced with dragons amongst clouds over combed Anhui’ waves, the main design filled with a wash of glaze,

13.6cm.; 53in., seal mark in under glaze-blue, boxed.

An nhui’ eggshell porcelain Bowl, Qing Dynasty, finely incised with dragons amongst flames, 12.7cm.; 5in., archaic mark, (a myriad ages without ending), boxed.

A Chinese export armorial Soup Plate, Qianlong, octagonal, charged on the rim with the crest and arms

A Group of Export ware, 18th Century:
two blue and white Plates, a ‘family-rose’ Plate,
two Tea bowls and a Saucer .

A Samson armorial Bowl, late 19th
Century, charged with a variant of the arms of
Hamilton within under glaze-blue bands and scattered flower sprays, 30cm.; 12in., marked.
An export ware bell-shaped Mug, Qianlong, painted in ‘family-rose’ enamels with four ladies and two boys about a table under a gilt border, 13cm.

A ‘family-rose’ Teapot and Cover, Qianlong, enamelled with a family in a garden, serpent moulded spout, small crack, 16cm.; 6in. (2).

A ‘family-rose’ sparrow beak Jug, Qianlong, enamelled with maidens and boys in a garden, 8.5cm.; 33in.; and a Saucer .

A Pair of ‘family-rose’ miniature
trumpet beaker Vases, Qianlong, each wasted
body enamelled with a blue and yellow bird
upon a flowering shrub, 8.2cm.

An early Ming celadon Figure of Guan Yin, 14th/15th Century A.D., seated with a small vase in one hand, the other hand resting on her knee, her biscuit face washed in lustrous

iron oxide, the glaze of clear sea green colour with an overall crackle, 17cm.

A ‘family-verte’ Plate, Kanji,
enamelled with a rider and attendant dwarfed by a scholar’s table by a fence and palace, scholar’s implements on the rim, crack, 22cm.; 83in., ding mark in under glaze-blue   .

Two ‘family-rose’ Figures, Jiaqing,
one of Ganging with a diminutive child,
20.5cm.; 8Vsin.; the other of a have spirit,
chipped, 17.8cm.; 7in.

A blanch -de-Chine Figure of Butyl, 18l Century, the jovial god seated with a rope of beads on his knee, finely incised facial festoon 8.5cm.; 33in., impressed potter’s square

seal mark huang haul stand (2)    .

A transitional blue and white ’sleeve’ Vase, 2nd quarter 17th Century, well painted with a kingfisher perched above water fowl, two landing on a us pond, crack and chip,

26.5cm..

An attractive blue and white small Dish, early 17th Century, of saucer form, simply painted with a bird on the branch of peach tree, 10.3cm.; 4in.
A carved celadon Jar let, early Ming Dynasty, of stout ovoid form, carved with meandering us beneath a pale sea green glaze, 10.8cm.; 4/4in.

A sang-de-beef ‘dome of heaven’
Vase, 18th Century, of bottle form, with a
dark greyish-maroon glaze draining from the
rim, chipped foot rim, 31cm.

A Chinese ‘family-rose’ double Vase, Guangxu, painted with Immortals on a shore inspecting a scroll and smaller landscapes, reserved in a flower-strewn green ground under a pair

of masked and loose rii handles, rim chip, 37.2cm.; seal mark Qianlong in iron-red.

Tags: 18th century, apocryphal, approx, Aria, blossoming garden, bombe, border, bottle, Bowl, brocade, Canton, carved wood, celebrating the new year, Century, chengdu, Chinese, chinese export, chinese style, chip, cylindrical neck, fish roe, Guangx, Guangxu, hair cracks, ivory, jade, jardiniere, maidens, Mandarin, Ming Dynasty, pattern, paw, Plates, processional, prunes, Qianlong, red bird, repair, rice bowl, samson family, Saucer, Set, small plates, Stands, tang, Vase, Vases, Wine, wine cup, Worcester, Yongzheng

Сhinese Ceramics: ivory glazed Bulb Bowl, Ming Dynasty, Wine Cup and Saucer, Yongzheng, Canton ‘family-rose’ Vases, Guangxu

A ‘family -verte’ Jardiniere, Guangx the rounded sides enamelled with a pheasant amongst flowers and rocks, lipped rim, 26cn 10 in.; and a carved wood Stand (2).

An ivory glazed Bulb Bowl, Ming Dynasty, with bombe sides over three paw few carved with flowers, crack, feet loose, 29cm.; and a cream glazed Vase, 24.3cm.; 9/2in.

A matched Set of four blue and white small Plates, Kanji, each painted with a ‘Jumping Boy’ pattern framed by a trellis bordered rim, hair-cracks, chip, approx. 10cm.; 4in.,

three with apocryphal Chengdu marks, one marked tang (made for the hall of precious jade) .

A ‘family -rose’ bottle Vase, Daogu the low body and cylindrical neck enamelled with richly blossoming branches, 30cm.

A Pair of ‘family-rose’ Lanterns and Stands, Guangxu/later, each decorated with wa-wa scenes of children celebrating the New Year with processional dragons and fireworks (4)    .

A Pair of Chinese crackleware balls Vases, Guangxu, with ‘bronzed’ dragon relief under prunes’ handles, 25.3cm.; Win.

A ‘family-rose’ octagonal Bowl, mark
and period of Tongzhi, eight figures
accompanied by auspicious animals arranged
about the sides, puce interior, chip, minor
repairs, 18.6cm.; 7 in., seal mark in red.

A Pair of ‘Mandarin’ palette baluster Vases, Qianlong, each ‘fish roe’ blue ground reserved with enamelled domestic scenes of figures, hair-crack, 17.8cm.; 7in.

A good ‘rose-verte’ Wine Cup and Saucer, Yongzheng, each piece painted with maidens accompanied by deer in a blossoming garden, small glaze chip, three cracks in saucer; and a

‘family-rose’ Rice Bowl and Stand, painted with an iron-red bird amongst flower repair, bears Marryat Collection label; and a ‘Queens’ pattern Saucer .

A Samson ‘family-rose’ Plate, late 19th
Century, painted in Chinese style with a lady
observing foul deeds in a garden framed by a
complex brocade border, 22.7cm.
.
A transitional blue and white Food Jar,
mid- 17th Century, painted in soft tones of
under glaze  cobalt blue with two fabulous
beasts among rocks, one a dragon-headed scaly
animal, the other of ram-like appearance,
hung with metal swing handles, 21cm.; 8in.
diam.

An Aria blue and white Coffee Urn,
late 17th Century, of conical form, the
tapering sides painted with two birds among
flowers, rocks and fruiting pomegranate,
square spigot button, 26.5cm.; 10′/2in.

A Pair of Canton ‘family-rose’ Vases, Guangxu, each of mallet form with applied gilt dragons and dogs-of-For over figure and bird panels, chip, 25.8cm.; Win.

A Chinese Imari Charger,Kanji, closely following a Japanese original with panels of shish birds and butterfly separated by three under glaze-blue wave-edged panels filled with

peony and radiating from a flower basket medallion centre, repaired, 46cm.; 18in.

A Group of export ware, 18th Century,
comprising: two Teapots, a Canton enamel Bowl, Cover and Stand, a Cup and Saucer, a Worcester ‘Lowestoft’ Teapot and a He rend arrow beak  Jug and Cover, some damage .

A spinach green jade Bowl and Cover, 18th Century, repaired, 15cm.; 57in., wood ; tend  .
An attractive Longue celadon Dish, early Ming Dynasty, of characteristic form with fluted interior radiating to a lipped rim, ill covered in a rich bluish-green glaze front made

back, the biscuit firing ring oxidized to range.

A Pair of Chinese Stick Stands, of
cylindrical form, painted with green dragons, drilled, one damaged, 65cm.; 25/2in.

A Pair of turquoise glazed Dogs-of-For, 20th Century, seated on cube bases, 32cm.; 12/2in.

A coral-red ground Dish, reserved with a partially unrolled scroll filled with a river landscape, gilt flower sprays scattered round about, 23.3cm.; Win., seal mark of Qianlong

in under glaze-blue (boxed).

Chinese export armorial wares, late Qianlong, comprising: a Pair of Fitzhugh border pierced Dishes bearing the arms of Brent, distressed, 25.6cm.; and a Pair of Vegetable

Tureens bearing the crest Farquason over a festooned shield monogrammed J.F., damaged handles .

Tags: 16th century, 18th century, 19th century, acolytes, baluster, border, Bowl, Buddhistic, Century, chinese family, Covers, Dynasty, figure, flower, flower heads, flower sprays, Garden, gilding, grisaille, ground vase, guan yin, Guanyin, insects and flowers, Jar, jug, leaping carp, Mandarin, medallion, meissen, ovoid body, pagoda, punch bowls, Qing, repair, riflemen, rock, Saucer, Southern Chinese, stoneware, Swatow, tea bowl, tea wares, Teapots, Vase, Vases, vermicular, wood

Сhinese Ceramics:  Tea bowl and Stand, Qianlong,  Teapots and Covers, Qianlong, Tea wares, Qianlong

A Swatow Dish, 16th Century, of Split Pagoda’ family, enamelled in turquoise and green with five leaping carp between iron-red sprays revolving about a central medallion, chips,
38.7cm.;
A black ground Vase, Qing Dynasty, of lively baluster form, decorated in gilding with Buddhistic lions, rim repair, 58.5cm.; 23m.
A blank-de-Chine Figure of Guanyin, 18th Century, seated with robes falling down to the ground to one side, in her raised right hand a small scroll, chips to fingers, 20.5cm.;
8in.
A blank-de-Chine Group of Guan Yin, 18th Century, seated upon a rock between two acolytes, missing vases, 22.8cm.; 9in.
A large ‘family-rose’ Tea bowl and Stand, Qianlong, each piece painted with six radiating panels of figures alternating with flowers under a gilt vermicular border.
A Group of export Tea wares, Qianlong, comprising: three ‘family-rose’ Tea bowls, one with Meissen-style panels of European hunters and Chinese riflemen in grisaille and
rouge-de-far palette, and a Saucer with a central panel of three ladies and a gentleman, 15.8cm.; 6′Ain., some damage or rubbing.
A Set of four ‘Companies-des-Indies’ Plates, Qianlong/Jialing, each painted with a pavilion ‘floating’ in a lake, 24cm.;
Two ‘family-rose’ Punch-Bowls,
Qianlong, one painted with puce scale borders
over flower sprays, the other with a Chinese
landscape, restored, 26.5 and 24cm.

Three ‘family-rose’ Teapots and Covers, Qianlong, one in Mandarin palette, one in Impair colours and one ‘family-rose’, restoration .
A good celadon Jar, 18th Century, the compressed ovoid body sprigged and carved with a continuous meandering stem bearing four flower heads and fleshy leaves between studded
borders, all under a glutinous bluish glaze, 24cm.
A Chinese ‘family-rose’ Bowl, 19th Century, of us flower form, the celadon ground painted with insects and flowers, rubbed; and a ‘family-rose’ Bowl, decorated with dogs-of-For .
A Southern Chinese stoneware Figure of a man, 19th Century, finely modelled seated on a rock peeping into a double-gourd bottle, 14cm. 51/2in.; and a Southern Chinese stoneware
Figure of a seated sage, 14cm.
The companion Saucer Dish, mark and period of Dialoguing, rim repair, 24.8cm. 93 in.
A turquoise glazed mythical Beast, 19th Century, part lion, part ram and of benevolent intent, seated and looking to its right, 19cm. 77/2m., wood stand .
A blue and white barrel-form Garden Seat, Gangue, painted with a pair of dragons confronted across pierced pairs of cash between studs and chrysanthemum-filled ruby collars, 48.5cm.
A blue and white tureen Stand,
Qianlong, painted with a pair of deer in a
Peony garden framed by a trellis, under flower
sprays trailing from the canted and notched
rim, 38.3cm.; 15m.
A blue and white Meat Dish,
Qianlong, painted with a maiden punting a
boat framed by a hatched cavetto under a
and scroll brocade border, 44.3cm.; 17in.
A Group of export Tea wares, Qianlong, comprising: a Set of six Tea bowls and four Tea bowls and Slop Bowl, cracks and repair; also a Spoon Tray, Milk Jug and en suite .
A Chinese blue and white ‘yen yen’ Vase, Kanji, painted in vivid blue with six auspicious mythical beasts upon spume fleck cracks divided between trumpet neck and baluster body, broken rim, 45.5cm.; 177.
A Companies-des-Indies Dish, Qianlong, painted in under glaze-blue with three scattered flower and pomegranate spray under a barbed and hatched rim border, 35.3 cm.

Tags: 18th century, 19th century, Daruma, Fukurokuju, hanya, hind quarters, ivory, ivory netsuke, Manju, Meiji, Netsuke, Okame, okimono, Qjime, walnut, wood netsuke

A wood Netsuke, 19th Century - An ivory Netsuke - An ivory Manju - An ivory manju Netsuke

Eleven ivory okimono Netsuke, 19th Century and later, various subjects
Two ivory Netsuke, 19th Century, of traveller, one loaded with a large kettle, the other with a Daruma doll, approx.
A miniature ivory Netsuke, 19th Century, of a monk sitting asleep.
Three wood Netsuke, 19th Century, one of a man with toothache, another of a beast concealed in a fruit, the last of Fukurokuju with a minogame
An ivory manju Netsuke, 19th Century, well carved in sunken relief with children riding piggy-back and playing with a top, crack, and a red lacquer Manju carved with pine
Two ivory Netsuke, 18th Century, one of a sennin reposing upon the back of a shi-shi upon a base, the other of a lion seated to attention
Two ivory Qjime, 19th Century, one carved with two masks, the other with a boy chasing a rabbit and hamster; and a walnut Carving of Okame with a young monkey
An ivory Carving, of the Gods of Good Fortune, 19th Century, happily at sea in a bowl
Ten Netsuke, various dates, two of Okame, one of two boys beating a drum, one of Hotei, one of Fukurokuju and five others
An ivory Netsuke of Daruma, 19th Century, standing in voluminous robe, a flywhisk trailing over his shoulder, stained
An ivory Netsuke, 19th Century, a man dancing on one leg, one hand above head
An ivory okimono Netsuke, 19th Century, two boys chasing one another about a large snowball, inlaid hair knots, signed
A four-case gilt lacquer Inro, 19th
Century, decorated with birds and deer amongst rocks, cornelian ojime
A wood Netsuke, 19th Century:
- of a rearing horse, hair finely detailed, inlaid eyes, signed Masamichi
- a rat amongst mushrooms in a winnowing basket, inlaid eyes, unsigned
- small 17′ tortoise upon a large lotus pod carve with movable seeds, rubbed signature, Sessan
- of Hanya with inlaid gilt-metal eyes and silvered metal teeth, unsigned
- carved as a gnarled shi-shi turned round upon its hind quarters, a small bead in its open mouth, indistinct signature
A wood Netsuke of a mokugyo bell, 19th Century, carved as a scaley fish flexed back in the attitude of biting its tail
An ivory Netsuke, late 18th/19th Century, carved as a ‘tongue cut’ sparrow with incised wings and tail anc inlaid eyes, unsigned
An Netsuke, 19th Century, a cluster of eight masks back-to-back, metal himatishi, unsigned
An ivory Netsuke of a turtle, 18th Century, dozing with semi-retracted head, feet curled up beneath its body, unsigned
An ivory Manju, 18di/early 19th Century, carved in low relief with Hotei looking out of his linen bag, unsigned
An ivory Netsuke, 19th Century, of an eagle perched with talons locked upon a small rabbit, inlaid eyes, signed Hoichi
An ivory Netsuke, 19th Century, a Dutchman with beard and curly hair holding onto his wind-swept hat, inlaid black buttons to his frock coat
Two Pairs of Japanese cloisonne Vases, Meiji, one of pear form, decorated with flower sprays against a black ground, 15.5cm.; 6in., the other of barrel form and small size, decorated with mon against a red ground,
small bruise.
Three Japanese cloisonne Vases, Meiji, comprising: a Pair of Vases decorated in part Ginbari technique with flowers in a blue ground, and a single Vase decorated with iris against a celadon ground, stress crack.

Tags: 18th century, Antique, Bowl, Buddhistic, Chinese, chinese export, chinese mandarin, jug, Kangxi, Mandarin, Netsuke, punch bowl, Qianlong, Qing, wood netsuke, yellow butterfly, Yongzheng

A Chinese blue and white Dish - A Chinese ‘famille-verte’ Dish, Kangxi - A wood Netsuke - A Chinese blue and white saucer Dish, Kangxi - A Chinese blue and white Jar

A Set of three provincial Chinese blue and white saucer Dishes, 18th Century, each boldly painted with a dragon amongst clouds, its hind quarters trailing over the underside, crack, repair Compagnie-des-Indes deep Dish, Qianlong, of European silver form, pencilled with European rose sprays under a hatched border bearing flower sprays inside the iron-oxideedged rim
A Batavianware ‘famille-rose’ Punch Bowl, the cafe-au-laic ground reserved with barbed panels of peony, cracks, 25cm.; 9314in.; and an Imari Bowl, Meiji, the interior painted with ho-o birds ‘famille-rose’ Bowl, mark and period of Yongzheng, the exterior finely enamelled on one side with feathery peony, the other side with a spotted yellow butterfly, two small sprays within, very small chip to rim, six character mark in
underglaze-blue, wood stand
A large Chinese baluster punch Jug and Cover, Qianlong, painted in underglazeblue and enamels with figures in a continuous Lakeland scene, scroll spout, repair to rim, replacement metal handle Pair of Chinese
blanc-de-Chine lion joss-stick Holders, 18th Century, each Buddhistic beast sitting on a cube base, a brocade ball under its left paw, both bases cracked
A Chinese blue and white Jar, Wanli, of stout shouldered ovoid form, the sides painted in underglaze-blue with a Ion -tailed
‘d perched on a rock in a garden of peony, the shoulder panelled with stylised chrysanthemum in a wan-diaper ground
A ‘Compagnie-des-Indes’ Basket and Stand, Qianlong, with trellis pierced sides framing a river scene within brocade and trellis borders, handles repaired, hair-crack in stand
A Pair of Chinese Imari Pots and Covers, Kangxi, each of cylindrical form, painted with hibiscus sprays, both cracked
Three ‘famille-rose’ Teapots, Qianlong and later, enamelled with figures and flowers, one repaired
A Chinese ‘Mandarin’ palette Punch Bowl, Qianlong, the Y-diaper ground reserved with two figure scenes between panels containing birds in branches, a complex brocade and butterfly border within, hair-cracks,  A
‘Compagnie-des-Indes’ blue and white tureen Stand, Qianlong, painted with a willow in a garden before peaks under a cavetto and rim of complex and panelled brocade, chips
Two `famille-rose’ Plates, Yongzheng/ Qianlong, one painted with a pheasant framed by a panelled pink cavetto and four flower
Trays on the rim, 22cm.; 8314in., the other with flowers within an octagonal frame with panelled turquoise trellis border, hair-crack
A Chinese blue and white saucer Dish, Kangxi, a central fan panel framed by four flower and vase groups under a complex border incorporating further fans and scrolls separated by scattered flowers .
A Chinese blue and white Dish, Kangxi, two tiers of flower lappets radiating to a barbed rim from a lotus medallion centre against a trellis ground, two hair-cracks
A Chinese blue and white food Jar, Kangxi, the cylindrical sides filled with two broad antique and landscape panels, rim repair wood cover
A Pair of ‘Compagnie-des-Indes’ Sauceboats, Qianlong, painted in underglazeblue with lake scenes, brown dressed shaped rim, handle crack, other glued,
A ‘Compagnie-des-Indes’ oval Tureen and Cover, Qianlong, painted with expansive lake scenes under a cover surmounted by a pomegranate finial, handles damaged
A Chinese blue and white Ewer, Kangxi,painted in near Transitional style with two scholars seated beneath a willow, body and handle crack
A Chinese ‘famille-verte’ Dish, Kangxi, pencilled in underglaze-blue with two bands of linezhi fungus radiating from and between a medallion centre and trellis borders
A Chinese exportware Bowl and Spoon, for the Persian market, jiaqing, each piece decorated wit simple gilt interweaving ribbon borders centred by green flowerheads about an Arabic inscription clobbered Chinese Jar,
Kangxi and later, the barrel body painted with figure medallions in a reeled band later enamelled with dragons on a green ground between iron-red borders incorporating underglazeblue flower sprays, 20cm.; 8in., Manhao of Chenghua, wood cover and stand
A blanc-de-Chine Ewer, 18th Century, of hexagonal double-gourd form, moulded with recessed panels of auspicious objects against a wave ground; and a blanc-de-Chine Guanyin Group
A Chinese ‘famille-rose’ cylindrical Tankard, Qianlong, painted in Mandarin palette with a scene of three figures on a terrace
A `famille-verte’ wine Pot, Kangxi, of rectangular form, with raised roundels filled with plants and antiques, repairs to upright yoke handle,  ; and an Imari clobbered blue and white Teapot and Cover  A
`Compagnie-des-Indes’ Mug, Qianlong, of barrel form, painted with panels of European roses in puce and purple in scroll frames under scale borders hung with flowers, minor chips to rim interior.
A similar Mug, Qianlong, with entwined double-strap handle and beaded borders, chip
A wood Netsuke, 18th Century, simply carved as a lotus leaf, of dark colour

Tags: Bowl, Buddhistic, canton famille rose, Canton Vase, canton vases, celadon vase, Chinese, cups and saucers, Daoguang, Dynasty, Guangxu, Japanese, Jar, Kangxi, lotus flower, Ming Meipin, porcelain bowl, Punch, punch bowl, Qianlong, Qing, Teabowls, Vases

A Pair of Canton Vases and Covers - A large Canton ‘famille-rose’ Vase - A Samson Punch Bowl - A Chinese celadon Vase, Qing Dynasty

A Samson `Compagnie-des-Indes’ Ewer and Basin, late 19th Century, based on a Portuguese silver and a Chinese exportporcelain original, the ribbed ewer and shell-form basin enamelled with Oriental flowers, ewer
and basin repaired
A Pair of Canton Vases and Covers, mid-19th Century, each ovoid body intricately enamelled with figure panels under a waisted neck scattered with flower baskets and Precious Objects, lotus flower finials;  A Chinese ‘famille-rose’ Vase, Guangxu, painted with a scene of figures in a garden between an octagonal foot and a galleried rim, six character mark of Kangxi
A Chinese ‘famille-verte’ ovoid Jar, Guangxu, painted with a scene of children playing games in a garden supervised by maidens, mark of Kangxi in underglaze-blue
A Canton ‘famille-rose’ Basin,
Jiaqing/Daoguang, a central female portrait Mon framed by the Eight Immortals and Shoulao, repaired., wood frame
A provincial Chinese porcelain Bowl, perhaps Swatow, painted with an underglaze- blue lion medallion framed by red and green formal lotus scrolls, birds alternating with flowers on the exterior
A Canton celadon ground bottle Vase, Daoguang, painted with kylin and Buddhistic lions amongst Precious Objects and scattered flowers, neck repaired
A large `famille-rose’ Vase, 2nd half 19th Century, of bottle form, the blue enamel ground filled with colourful formal lotus and reserved with barbed panels of figures in landscapes under a show medallioned shoulder

encompassed by a band of bats amongst colourful clouds, beneath a waisted neck applied with iron-red mask and ring handles under an overhanging rim with petalled edge, crack in base, minor rubbing, red script
mark of Qianlong, on white enamel square wood stand
A’famille-verte’ baluster Vase, mid-19th Century, the exaggerated body enamelled with full-length figures of the Eight Immortals carrying their respective attributes between fine borders of ‘cracked ice’ whorls, flames, ruyi and stiff leaf lappets, small chip to foot
A large Canton ‘famille-rose’ Vase, Daoguang/Yongzhi, the celadon ground painted with expansive figure panels under gilt Buddhistic lions and dragons under a turn-over rim with petalled edge .
Set of three Chinese blue and white exportware Teabowls and six Saucers, Jigging; and seven other Chinese Teabowls and nine Saucers
A Pair of Chinese `famille-rose’ octagonal Cups and Saucers, Qianlong; and a `famille-rose’ Saucer, YongzhenglQianlong
Eight Chinese `famille-rose’ Teabowls and ten Saucers, Qianlong/Jiaqing, various designs
A Chinese ‘famille-rose’ Teabowl and two Saucers, Qianlong; and nine Japanese Teabowls/Wine Cups and a Saucer
A Chinese ’sang-de-boeuf’ Vase, 19th Century, of stout true baluster form, covered in a dark ox-blood glaze, rim repair
A Canton ‘famille-rose’ Bowl and Cover, Jiaqing/Daoguang, painted with a continuous scene of figures with rickshaws, gilt lychee finial, handles broken, edge chipped
A Canton ‘famille-rose’ leaf moulded Service, mid-19th Century, of lotus and artemisia leaf form, veined in gilding and enamelled with scattered flowers and insects on a celadon ground, comprising: seven Dishes (in
three sizes), four Bowls (in two sizes), four small Trays and another Dish, chips and repairs
A Canton Vase, 19th Century, T of tall mallet form, painted in enamels an with deer grazing under pine trees inhabited by monkeys against a green washed ground
A Pair of ‘Canton’ Vases, 20th Century, of mallet form, with green Buddhistic lion handles over painted scenes of the Eight Immortals
A Chinese flambe Dish, 18thtearly 19th Century, of shallow form with inturned rim, the ox-blood glaze splashed and streaked in mottled blue
A Samson `armorial’ Punch Bowl, late 19th/20th Century, painted in ‘Coqagnie- des-Indes’ style, 25cm.; 9314in.; and three Chinese teaware Bowls
A Chinese `famille-rose’ Bowl, Qianlong, the ‘chicken-skin’ ground reserved with panels of flowers and shells, a puce scale border within, cracked
A Canton `famille-rose’ Chamber-Pot, 19th Century, panelled with bird and figure groups, 27.5cm.; 103/4in.; and a Canton `famille-rose’ Basin, repaired
A good Canton oval Dish, Jigging/ Daoguang, finely painted with three dignitaries seated at separate tables in a columned loggia, servants in attendance, all within a border of green flushed white flowers in a pale-blue ground
A Chinese celadon Vase, Qing Dynasty, of pleated bi-conical form, base repair
A Chinese Bowl, Qing Dynasty, painted inside and out with five deer amongst rocks, the crags pierced by translucent rice grain openings, chip, mark of Qianlong
A later enamelled late Ming Meipin mark and period of Wanli, enamelled `famille-verte’ palette with phoenix flying between elongated lappet and ruyi borders, replacement silver mouth and silver plug-in base, six
character mark incised  on shoulder

Tags: Buddhistic, Canton, canton vases, chinese snuff bottles, cracked ice, food container, Guangxu, ivory, ivory netsuke, Jar, Jars, Mug, Netsuke, porcelain, Qianlong, Vases

Canton pen Box and Cover - A Pair of Chinese blue and white Vases - A Pair of Canton Vases - An ivory Netsuke

A white on blue Canton pen Box and Cover, 19th Century, of rectangular form, the blue sides reserved with white flower and fruit sprays trailed in slip with incised detail
A Pair of ‘famille-rose’ ovoid Jars and Covers, Guangxu, the lime-green ground painted with ducks amongst rocks and flowers, small hair-crack in cover
A Canton four-tier food Container and Cover, Guangxu, the cylindrical sides enamelled with white lotus meanders against a blue ground, metal handles and carrying 24cm.
A Set of three graduated Canton `famille-verse’ Bowls, Liners and Covers, marks and period of Guangxu, each painted with narcissus and iron-red flower sprays on a body applied with blue masks intended for metal handles.
A blue crackle-glazed bombe Censer, 19th Century, chip to foot rim.
Three Chinese snuff Bottles, one interior painted with scholars riding amongst rocks in a landscape, one of porcelain
moulded as a closed lotus leaf, the third of glass with carved mask-and-ring handles.
A Pair of powder blue ovoid Canisters and Covers, Guangxu.; and a flambe glazed Jar and Cover of onion form
A Chinese blue and white Bowl, mark and period of Daoguang, on three mask and tongue feet, the interior covered in bamboo and prunus sprays on a ‘cracked ice’ ground centreing a landscape medallion
A famille-rose’jardiniere or Fish Bowl, Guangxu, the purple ground reserved with ‘famille-verse’ landscape panels between ruyi and trellis borders, five golden carp
A Pair of Canton Vases, 19th Century, of typical club form, with figure panels under a neck and shoulder applied with gilt Buddhistic lions and dragons.
A Pair of Chinese blue and white Vases, Guangxu, of typical club form, painted with skirmishes between soldiers on horseback between painted lappets and applied dragons on the shoulder and neck, one rim damaged,
A Chinese ‘famille-rose’ Dish, Guangxu, painted with five sages and their two attendants in a garden, a table for scholarly pursuits, repairs
A Chinese ‘famille-rose’Jardiniere, Guangxu, of U-form with everted rim over three enamelled figures separated by titles and literary texts
A clobbered and metal-mounted Chinese Plate, mark and period of Kangxi and later, a central scene of three women on a veranda framed by a trellised rim panelled with bucolic figure scenes, gilt-metal rim and feet,
six character mark
A Set of three ‘grisaille’ landscape Plates, Qianlong, framed by a rim of blue enamel flower sprays between gilt spearhead and lotus scroll borders
A Chinese ‘Mandarin’ palette Mug, Qianlong, the cylindrical body with dragon handle enamelled with a figure panel within an underglaze-blue frame between smaller vignettes
A Chinese exportware Mug, Qianlong, of cylindrical form with stepped flared foot, the deep blue ground gilt with flowers
between ornamental borders
A Chinese blue and white Jar and Cover, Qianlong/jiaging, of broad baluster form, painted with a lakescape under a complex brocade border, hinged collar and clasp to cover and rim, minor hair-cracks, 64cm.; 25in.,
carved wood stand
A Pair of Canton rouleau. Vases, 19th Century, each greenound reserved with circular under shaped filled with garden scenes, damage to both galleried rims,
A four-case gold lacquer Inro, 19th Century, decorated with a rocky shoreline concealing houses; and an ivory Netsuke of Hotei, 18th Century
A staghorn knife Handle, 19th Century, carved as the long figure of Daruma, his face revolving to metamorphose into a female, with metal blade
A wood tobacco Pouch and Cover, late 19th Century, carved as a temple gong; and a pipe Holder, carved with a whisk
Five Netsuke, 18th Century, comprising: an ivory carving of a sennin with a cub on a rock, a rat amongst bales, Hotei and bag, Hotei and boy and a wood Carving of Hotei and boy
Two ivory Netsuke, 18th Century, one of a jackal with skull, the other of a recumbent buffalo
Yoshikyo: A wood Netsuke, late 18th/early Century, well carved as a fruit and bud, finely hollowed, signed
An ivory Netsuke of Hotei, late 18th/early 19th Century, a young boy attending to one ear, stained